FAZ pop anthology about “The Chain” by Fleetwood Mac | EUROtoday
IOnce John McVie’s bass solo is in your ear, it by no means leaves. It just isn’t solely the climax of the track “The Chain”, but additionally the start line of the collective work of the band Fleetwood Mac; In the recording studio in Sausalito, California, McVie is claimed to have performed round along with his bass and composed such an ingenious sequence of notes that everybody else felt impressed by it.
Few Fleetwood Mac songs mix the abilities of all 5 band members like “The Chain”: Christine McVie and Stevie Nicks co-wrote the lyrics, John McVie started his solo, Lindsey Buckingham wrote the guitar intro, and Mick Fleetwood carried out conserving the beat along with his drums.
Working with the razor blade
The particular person fragments had been lower collectively like puzzle items by sound engineers Ken Caillat and Richard Dashut over 9 months – typically with razor blades. The track grew dynamically: For instance, the preliminary lyrics not match the guitar solo that was created late, so Nicks merely rewrote the lyrics. At the tip you may not inform that the track was put collectively from many particular person elements. “It just clicked” within the remaining levels, mentioned sound engineer Caillat. “The Chain” is without doubt one of the final songs recorded for Fleetwood Mac’s document album “Rumours.”
The first seconds of “The Chain” with Buckingham’s guitar intro present that it doesn’t take a lot to set the tone. The chord sequence on the Dobro sounds threatening, the loud cymbal that begins resembles a heartbeat. The harmonizing vocals of Buckingham and Nicks start: “Listen to the wind blow / Watch the sun rise / Running in the shadows / Damn your love, damn your lies.” The dawn is a warning, as a result of hiding (“running in the shadows”) ought to cease. The refrain solves it immediately: It’s about a relationship by which the companions maintain on to one another despite the fact that they know that mutual love just isn’t good for them. The chain that binds them shall be damaged. The preliminary love promise “You would never break the chain” is prior to now.
In the second verse there isn’t any longer any discuss of daylight, however of the night time and with it the lies that ought to cease: “Listen to the wind blow / Down comes the night”. The silence is damaged (“Break the Silence”) with the chorus: “If you don’t love me now, you will never love me again”.
Music for Formula One?
Then McVie’s legendary bass solo begins. It’s calm and clear, however has a lot pleasure that for some time BBC tv used it at the beginning of its Formula 1 protection. The solo is adopted by in all probability the toughest rock part of the track: with bass, guitar and drums, the inside battle is expressed within the want “Chain keep us together”. The verse is a final try to carry on to the failing relationship – and is sort of pleadingly exclaimed by McVie, Nicks and Buckingham. However, the belief follows that they’re mendacity to themselves: it’s answered once more with “Running in the shadows”.
The electrical guitar runs by means of the track like a heavy iron chain, just one instrument breaks it: the bass. The textual content, however, captures the ambivalence and dramaturgy of the love relationship. It is exactly this synergy that defines “The Chain”. Later cowl variations by Harry Styles or Florence and the Machine have an analogous impact due to the guitar intro and the bass solo, however typically the drums do not penetrate sufficient, typically they do not discover a good substitute for the Dobro used by Buckingham.
Love dramas and drug excesses
The rigidity that erupts in “The Chain” by Fleetwood Mac is not any coincidence both. To perceive the genius behind it, you must perceive Fleetwood Mac. Because hardly any track represents the event of this band a lot – with polarizing relationships, unhealthy dependencies and a series that connects everybody that nobody can actually break.