Director and screenwriter Patricia Ferreira dies at 65 | Culture | EUROtoday

The filmmaker Patricia Ferreira died at this time in Madrid, her hometown, on the age of 65, a sufferer of a mind tumor. Goya candidate for revelation course with I do know who you’re (2000), the filmmaker additionally gained the Biznaga de Plata on the Malaga pageant for greatest script for her work alongside Virginia Yagüe in Wild youngsters (2012). Her profession has in all probability been much less prolific than she would have preferred, however her ardour for different struggles, such because the founding of CIMA (the affiliation of Spanish ladies within the audiovisual area), and her dedication to schooling have left their mark on Spanish cinema together with to a few of his titles.

Graduated from the Faculty of Information Sciences in Madrid, Ferreira started as a movie journalist at TVE and Radio Nacional, from the place she went on to change into a director and scriptwriter for cultural applications reminiscent of Equinox; A day within the lifetime of our ancestors, documentary sequence about life in prehistory; A rustic within the backpack, a sequence through which José Antonio Labordeta toured Spain; both Nearby paradises, a journey documentary sequence with scripts by writers reminiscent of Rafael Chirbes or Javier Marías. In addition, he labored as an assistant director on fiction sequence reminiscent of May you kill him properly, Cervantes o The matchmaker.

In 2000 she made her movie debut as a director with I do know who you’re, a movie that premiered on the Berlin Festival, within the Panorama part and with which it was nominated for the Goya for greatest new director. The story of a younger psychiatrist (Ana Fernández) who finds herself in entrance of an enchanting forgetful affected person with Korsakov syndrome (Miguel Ángel Solá) helped her develop a style that at all times attracted Ferreira, the thriller with one thing else, that added a political or social facet: “It is a thriller of characters in which we find doses of action, intrigue and love, without forgetting a part of the plot that has clear political implications,” he mentioned at its premiere, in a phrase that appeared like a declaration of intentions. And filmed in Galicia, the land of his household.

Two years later it premiered The impatient alchemist, which tailored the homonymous novel by Lorenzo Silva, a thriller which develops the investigations of two civil guards—the sergeant of the Central Operational Unit, Rubén Bevilacqua, and his assistant, Virginia Chamorro—, and which has change into a literary and cinematographic saga. Regarding squaring the circle, that’s, versioning books to the creator’s style, the filmmaker identified on the time: “When the story begins to grow from paper and becomes a film in which many people work, being faithful is impossible. ”.

That decade put Ferreira on the checklist of essentially the most fascinating Spanish filmmakers: in 2004 she participated, together with her brief The greatest stored secret, about AIDS in India, within the collective movie In the world on a regular basis. The following 12 months he directed So you don’t neglect me, with Fernando Fernán Gómez in certainly one of his newest characters, in a drama in regards to the relationship between three generations of the identical household. Again, within the background, reminiscence. The drama participated within the Berlin pageant.

In 2010 he made the documentary Lady of, a piece to be recovered through which, by testimonies from ladies of very totally different ages, confirmed the immense expertise misplaced in Spain when feminine creators remained locked up of their houses and of their marriages. An echo that might be felt within the audiovisual. She herself mentioned in 2017, at a gathering on ladies filmmakers: “Cinema is in male hands and hence the themes we see on screen. Many young women do not dare to take the leap. We must reinforce equality policies in culture, in cinema, because compromises have always been made but coherent regulation has never been made.”

Just two years later his greatest movie would arrive, Wild youngsters, which gained the Biznaga de Oro for greatest movie on the Malaga pageant, the aforementioned award for greatest script, and the awards for supporting actor and actress. As Javier Ocaña identified in his evaluation of a drama about (unhealthy) schooling: “Ferreira preaches an agile, clear, pure manufacturing, just like the actions of the characters, at all times within the open, and buildings his round script in a sequence of interviews to the three younger protagonists through which, an important choice, the interviewer is at all times out of display screen, solely he may be heard: they’re the guardians, they’re the spectators, it’s us, it’s society, which interrogates them when it must be us who’re interrogated. .

In 2017 he mentioned goodbye to cinema with Thi Mai, heading to Vietnam, a comedy primarily based on benefiting from the chemistry between Carmen Machi and Dani Rovira, who had simply gained in Eight Basque surnames and its sequel, Eight Catalan surnames. His newest work within the audiovisual area has been the creation (and co-writing) of the TVE sequence The legal professionals, directed lately by Juana Macías and Polo Menárguez, and which relies on the true life in Madrid within the late sixties and early seventies of 4 younger ladies of letters, elementary over time within the historical past of Spain: Lola González, Cristina Almeida, Manuela Carmena and Paca Sauquillo.

In his academic facet, Ferreira taught directing courses on the Madrid Film School (ECAM) and in quite a few workshops, faculties and colleges. She was additionally a co-founder and was a part of the board of administrators of CIMA, along with additionally being on the board of administrators of the Film Academy for six years. She is survived by her companion, the filmmaker, journalist and cultural supervisor Fernando Lara, her daughter and her granddaughter.