We will not be capable to ask Patricia Ferreira for recommendation | Culture | EUROtoday

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Patricia has left us, however, however, she has remained deep inside us. Since we are going to not be capable to frequently name her for recommendation, we must search our reminiscence for her phrases to get solutions from her.

Patricia Ferreira has been a movie and tv director who with nice braveness and expertise has addressed completely different social and political points in her works. Some of them: I do know who you’reSo you don’t neglect me, Thi Mai, heading to Vietnam, Lady of o All the world is music. One of the distinctive traits of Patricia Ferreira’s work is her inclination for thriller as a movie style. Even in motion pictures that aren’t a thriller Strictly talking, it makes use of parts to seize an viewers that was very a lot in thoughts. She additionally ventured into comedy and did every little thing with nice rigor, from the analysis, the script – though she at all times collaborated with vital scriptwriters -, the places, the solid, the filming, the digital camera’s viewpoint, and one thing that Patricia loved. particularly, the course of actors. In the montage she loved and suffered, she went daily in any respect hours, and he or she even noticed the photographs that she had rejected throughout filming; One day she advised me: “What if that take that I rejected during filming is now the perfect one for the film to have the meaning it needs?”

His journey documentary collection take us on a captivating journey via completely different corners of Latin America and different locations on the earth. And in some he highlights the significance of music as a type of expression and resistance.

Patricia Ferreira, on the set of 'The Impatient Alchemist', with Roberto Enríquez.
Patricia Ferreira, on the set of ‘The Impatient Alchemist’, with Roberto Enríquez.Promotional picture

His work displays his curiosity in reminiscence, social justice and dignity. And additionally due to how loss of life impacts individuals. He has been concerned in initiatives that tackle related points in our historical past and in our lives. His works denounce the injustice and lack of dignity that prevailed in periods in Spain.

Among its legacy, the newest is the six-episode collection The legal professionals, based mostly on the true story of Lola González Ruiz, girlfriend of Enrique Ruano, an anti-Franco pupil who died in 1969 by the hands of the police. She is a lawyer who survived the bloodbath of Atocha legal professionals in 1977, the place her husband, Javier Sauquillo, together with 4 different legal professionals, was shot lifeless by some far-right extremists. The collection additionally stars the characters of Paca Sauquillo, Manuela Carmena and Cristina Almeida. I’ve been to Patricia’s home many occasions and he or she has a desk filled with books about that point. And I do know that she has interviewed everybody attainable to inform Lola’s story. She knew very nicely that with out reminiscence you can’t construct the long run.

One of the issues she loved essentially the most was being a directing trainer on the ECAM (Madrid Film School) the place she began in 2001, and one of many issues she has missed essentially the most shouldn’t be having been in a position to train these previous couple of years. .

Meeting of scriptwriters-directors in 2004, seated, Fernando León, and standing, Manolo Matjí.  Behind and from left to right, Álex de la Iglesia, Mariano Barroso, Montxo Armendáriz, Alejandro Amenábar and Patricia Ferreira.
Meeting of scriptwriters-directors in 2004, seated, Fernando León, and standing, Manolo Matjí. Behind and from left to proper, Álex de la Iglesia, Mariano Barroso, Montxo Armendáriz, Alejandro Amenábar and Patricia Ferreira.LUIS PRIVATELY

Patricia has been a deeply feminist girl, which is why with different ladies she based CIMA (Association of Women Filmmakers and Audiovisual Media) in 2006 and has belonged to the Board of Directors till now. For everybody, Patricia is a reference within the affiliation, she was concerned from the start within the Annual Reports on the scenario of Women in Cinema, to exhibit with knowledge what we already knew: that girls weren’t there.

And along with her means to review the legal guidelines and discover the cracks to have the ability to change them, we have now reached this historic second the place ladies are reaching the identical rights and alternatives, from all of the locations the place we observe our occupation. I appear to be listening to her: we must not ever consider that we have now already achieved it, even when we attain 50/50 in 2025, we should at all times be alert in order that this example doesn’t reverse. I used to be additionally very concerned within the affiliation itself, a 12 months in the past we had been ending the brand new statutes and laws, days and days of arduous work in order that CIMA was more and more clear and transversal.

Patricia is the protagonist on this portrait, one thing that she didn’t like in any respect: her work was what was vital, there was no should be within the entrance row of the picture.

Dear good friend, I like you very a lot, we’re going to miss you very a lot, your mates from so many locations.

Our emotions now exit to your husband Fernando, your daughter Emma and your granddaughter Leyre.

We will go together with you to the Arctic to see the northern lights.

All the tradition that goes with you awaits you right here.



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