'We deal with girls too effectively' bursts into Malaga as a revelation towards the stereotypes of Spanish cinema | EUROtoday

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The typical saying is that Spanish cinema has been anchored within the Civil War since even earlier than '36; The commonplace insists that Spanish cinema directed by girls is simply able to speaking about motherhood (new), patriarchy (previous) and new masculinities (middle-aged), and, in fact, if one needs to hate cinema Spanish to the purpose of being probably the most valued within the feedback to the information about Spanish cinema, the very first thing you need to be taught is that all its members are backed Let me cease you from the Fasa-Renault and the Elicas collectively. Well, till it arrived (for now, on the Malaga Festival) 'We deal with girls too effectively', by Clara Bilbao. Yes, the film starring an enormous Carmen Machi It is positioned simply after the Civil War, however the tone, angle and lack of prejudice is such that it might effectively be another battle that’s equally uncivil and absurd. Yes, the director is a girl, however in her fingers feminism works with out brakes, with out giving explanations and, above all, with out apologizing. Yes, it’s Spanish cinema, however, and this stings the 'haters', was neglected of the subsidies from the Film Institute (ICAA). That is, make a gap that explodes.

“My proposal is neither revisionist nor dogmatic. Nor do I have any need to be equidistant or to propose a correct feminism,” says the particular person liable for all this by means of declaration of intentions. To situate ourselves and in order that there are not any misunderstandings, Clara Bilbao, 53 years previous, is many issues, besides a newcomer. She makes her debut as a function movie director, however she already has three Goya awards to her credit score. Three, not one or two. The former costume director with fifty signed titles, received the Academy Awards for 'Blackthorn', by Mateo Gil, 'Nobody needs the night time', by Isabel Coixet, and 'The shadow of the regulation', by Dani of the Order. And all the time, he insists, his has been a job that he wished to “add to, not just accompany.” “When I get a script I visualize the whole movie, not just the clothes,” she says.

Let's say that from that effort 'viewer'A brief got here out first,'It is prohibited to throw corpses within the trash' (2014), then a documentary as a screenwriter, 'Landless' (2004), and so forth till we discover the irrefutable anomaly that’s 'We deal with girls too effectively'. Based on Raymond Queneau's guide initially set in Ireland and which already had a movie model in 1971 signed by Michel Boisrond, Miguel Barros writes a selected story, however this time very a lot our personal. Spanish to the purpose of exasperation. And even to despair. Now it’s a group of resisters who’re detained in a submit workplace shortly after the Civil War. There they meet a girl who comes to choose up her marriage ceremony costume. She is a girl, she is a fascist and he or she is prepared to reveal to everybody, her personal and others, that it’s harmful to contradict her.

Carmen Machi in a moment of 'We treat women too well'.

Carmen Machi in a second of 'We deal with girls too effectively'.

Only an actress on the planet could be able to doing what Carmen Machi does with a wild, humorous, tragic, violent and really candid character. Everything directly. And that actress is, the truth is, Carmen Machi. Her movie, in reality, relies upon completely on her as a result of her whole movie strikes precisely within the register, tone and tuning that she units. It is comedy, however with the shape and construction of the best of tragedies; It is drama, however so delirious that it makes one blush; It is a struggle journey, however the absurdity that presides over every line of dialogue deactivates any name to arms. It is, briefly, 'rope participant', by José Luis Cuerda, by surrealist, by rural, by surrural and on all 4 sides. The incontrovertible fact that Antonio de la Torre, Julin Villagrán, Isak Fríz, Oscar Ladoire, Diego Anido and even Luis Tosar seem alongside the actress, along with dressing effectively in every sequence, provides an thought of ​​how beloved Bilbao is within the occupation.

“Beyond the ideals of my protagonist, which I obviously do not share, what seems decisive to me, and which I fully share, is his ability to fight not to stop in the face of adversity, to attack with ease against any form of machismo, especially against that paternalistic and condescending machismo that doesn't look like machismo, but it is. She is not a woman who has to overcome any trauma, she is simply a woman who is clear that things are either done by her or no one does them,” says Clara Bilbao in what looks like a tribute to her final identify which, in fact, , can be his birthplace.

We deal with girls too effectively'It finally ends up being a movie of humor, but additionally of affection; of struggle, however to be loved in peace; Nostalgic, however with out exaggeration. It has some 'Sunrise, which isn’t any small factor'with out giving up the echo of'Placido‘ o ‘The heifer' even. But all this from one other facet, from the facet of a bride with a bloody costume. Few pictures are so cinematic. “The new directors have opened a gap that I admire and respect, but they are in danger of becoming a genre. I am convinced that the day will come when women will leadTiburn'. My aspiration is to be Sidney Lumet, because I don't believe in there being directors, I believe there are filmmakers. And that's it. “I imagine in unisex movies.” It is evident. Prejudices are over.