Japanese Riken Yamamoto, 2024 Pritzker Architecture Prize for reconciling the general public and the non-public | EUROtoday

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Riken Yamamoto As of at this time, he’s the ninth Japanese architect to obtain the Pritzker Prize, essentially the most prestigious of his career. The jury has acknowledged within the winner the advantage of “reminding us that in architecture, as in democracy, spaces must be created by the will of the people,” in accordance with his ruling.

Yamamoto's title is according to the road that the Pritzker has taken in recent times: Francis Ker, Vassal y Lacaton, Balkrishna Doshi, Aravena… Many of the latest Pritzkers are united by treating structure, at the least partly, as a social science, as a propositional language with which to debate political rights, democracy, inequality and the surroundings. In the case of Yamamoto, intentionality might be understood very properly in some housing initiatives comparatively distant in time from one another: the Hotakubo (1991), Pangyo (2010) and Gangnam (2014) complexes share the identical theme, the priority for discover a technique to undo folks's isolation with out violating their proper to privateness. How to stay in group with out the group invading folks. How to advertise conferences between neighbors with out naive utopianisms.

Architect Riken Yamamoto

Architect Riken YamamotoTom WelshPritzkerprize | EFE

“In my experience, recognizing a space is recognizing its community,” Yamamoto mentioned in his first statements after studying of the ruling. “Today, the focus of architecture emphasizes privacy, denies the need for social relationships. And yet, we can still dignify the freedom of individuals to live together in an architectural space that functions as a republic, that shelters a harmony of cultures and vital moments.”

How is this concept of ​​structure expressed? In schools which might be primarily based on the school rooms being the middle of all actions, the place that encourages conferences, in order thate the transmission of information and socialization are components of a complete. In social housing complexes which might be organized on irregular streets. In museums the place the boundaries between inside and out of doors are blurred…

Yamamoto's language, nevertheless, is neither nostalgic nor historicist. Her works are stuffed with transparencies and geometric shapes and reveal what know-how there may be in them. The temptation is to offer a biographical rationalization. Yamamoto was born in China in 1945, however her youth have been these of the Nineteen Sixties, essentially the most radical decade in Japanese structure. The most disruptive in direction of conventional social buildings and essentially the most optimistic in its concept of ​​the long run. Yamamoto's work appears to be fueled by a way of ethical insurgent in opposition to him Tokio-Blade Runner of the Capsule Tower that, nevertheless, accepts the great thing about fashionable structure of the twentieth century.

Yamamoto has no work in Spain. In truth, all of his work has been inbuilt Asia: in Japan, South Korea and China, aside from some initiatives in Switzerland. Before him, his compatriots Arata Isozaki, Shigeru Ban, Toyo Ito, the couple Kazuyo Sejima and Ryue Nishizawa, Tadao Ando, ​​Fumihiko Maki and Kenzo Tange obtained the Pritzker, as in a narrative through which every story helps clarify the following. No nation has had a lot success within the prize checklist.


https://www.elmundo.es/cultura/arte/2024/03/05/65e726bb21efa0e7798b45b9.html