Joan Jonas retrospective in New York | EUROtoday

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Dhe very first thing you see is your self: the mirrors at first of Joan Jonas' main retrospective in New York's Museum of Modern Art are a distinguished component in her work. When Jonas introduced one in every of her first performances, “Mirror Piece I,” in 1969, dancers additionally pointed the mirrors on the viewers. Photos within the present entitled “Good Night Good Morning” present the actors on a meadow, a few of them disappearing behind the reflections of the viewers. In a movie from the 12 months earlier than, bare women and men additionally stand subsequent to mirrors that repeatedly break their visible look.

Love of the ocean

Jonas improvised the video “Nudes With Mirrors” with out an viewers in her Grand Street loft in 1968. Actually educated as a sculptor, she had simply purchased a digital camera. For Jonas, the hierarchies and groupings of the artwork world made no sense. Whatever she needed to specific herself with, be it drawing, sculpture, efficiency or movie – she was all the time involved with the suitable medium for the second and the subject at hand. The exhibition at MoMA does justice to the breadth of her work with out changing into too didactic. The undeniable fact that the numerous movies on the sixth ground of the museum usually overlap one another acoustically might be within the spirit of the 87-year-old artist – every little thing appears much more related, whether or not it's Jonas' curiosity in nature, the physique or human notion. The undeniable fact that sound and picture are decoupled is without doubt one of the recurring traits of her works.

Joan Jonas, „Moving Off the Land. 2016-2018“, New York 2018


Joan Jonas, „Moving Off the Land. 2016-2018“, New York 2018
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Image: MoMa

Jonas has been pushing inventive and synthetic boundaries for greater than sixty years. She has lengthy been thought-about a pioneer. Since the Nineteen Seventies, she has taken half within the Documenta in Kassel a number of occasions, represented the USA on the Venice Biennale in 2015 and has been honored with solo exhibitions by quite a few museums, together with the Tate Modern. The first a long time of her profession coincided with social actions such because the second wave of feminism or the environmental motion, that are additionally mirrored in Jonas' works – however it’s much less about political messages than about an angle that may be seen as a elementary tenderness in all life and will describe the fabric. Since the Sixties, for instance, the world's oceans and the creatures in them have been significantly essential to Jonas. She repeatedly visually dissolved the boundaries between completely different types of life and needed to indicate that the hierarchy of people, nature and animals led to a lifeless finish. The multimedia set up “Moving Off the Land II” from 2019 revolves round folks’s relationship to the ocean.

Film still from Joan Jonas' work “Double Lunar Dogs”, 2017


Film nonetheless from Joan Jonas' work “Double Lunar Dogs”, 2017
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Image: MoMa

Videos present all the great thing about the underwater world, the octopus, the algae, the iridescent corals. They are a part of a efficiency that Jonas additionally carried out on the Venice Biennale 5 years in the past and which she is going to deliver to the MoMA in May. An total room can be devoted to the multimedia set up “Reanimation”. Jonas was impressed to write down the work from 2010 to 2013 by the novel by the Icelandic writer Halldór Laxness, “On the Glacier”. The movie, shot on the Norwegian Lofoten Islands, reveals glaciers which can be lined by much less and fewer ice on a number of screens. In between you’ll be able to see Jonas portray or distributing paint within the snow. Light from the 4 video projections is mirrored by the sculpture within the center: many small crystal balls dangle like mini disco balls in a metallic body and mirror the sunshine in spots onto the ground and into the room. This consists of the music of jazz composer Jason Moran, who additionally included melodies from the Sami indigenous custom.

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