Rufus Wainwright blames Brexit for his Sheridan Smith musical flop closing early | Theatre | Entertainment | EUROtoday

Get real time updates directly on you device, subscribe now.

“Opening Night starring Sheridan Smith is a confusing, tedious mess with irritating hand-held cameras and disappointingly dreary music by Rufus Wainwright.”

That’s what Express.co.uk’s Arts Editor Stefan Kyriazis wrote in his 1 star overview after the West End present’s press evening.

Other theatre critics slammed the musical about an alcoholic actress getting ready for the opening evening of her new play.

Labelled a “tedious mess” some theatregoers have been so “bored” they ended up strolling out throughout the interval.

It wasn’t lengthy earlier than producers introduced that Opening Night’s run, which was initially set to conclude on July 27, would end two months early on May 18. But regardless of this, Rufus Wainwright – who wrote the music and lyrics for the theatrical flop – has doubled down by blaming the UK’s “narrow outlook” after Brexit for the present’s failure.

Speaking with The Guardian, Wainwright stated he felt Brexit Britain audiences have been too conservative for the experimental elements of Opening Night.

The musician stated: “I do feel that since Brexit, England has entered into a darker corridor where it is a little more narrow in its outlook and the vitriol because we put ‘English rose Sheridan Smith through this ordeal of European theatre’ felt a little bit suspect to me. I was a little surprised by that.

“There’s a lack of imagination and curiosity about change. All of the reviews from Europe were incredible for this piece; the staging and the rhythm is more European and there was a vitriolic reaction against that. I don’t think it was perfect and that I don’t deserve criticism, but this thing of shutting it down if it’s not exactly what you want is not really the theatrical lane that I want to live in.”

Upon saying that Opening Night would shut two months early, producers stated: “In a challenging financial landscape, OPENING NIGHT was always a risk and, while the production may not have had the life we had hoped for, we feel immensely proud of the risk we took and of this extraordinary production.

“Our world class cast delivers a brilliant show night after night, and there are still five weeks left to see Sheridan Smith in the role of a lifetime. What is sure-fire and safe has its place.”

Opening Night runs on the Gielgud Theatre in London’s West End till May 18 and tickets may be booked right here.

https://www.express.co.uk/entertainment/theatre/1897029/Rufus-Wainwright-Brexit-Sheridan-Smith-Opening-Night