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EWhat if information channels had existed on June 6, 1944? How would they’ve coated one of many main army occasions of the twentieth century?e century ? This is the marginally loopy venture launched by France Télévisions to have fun the eightieth anniversary of the touchdown on Normandy soil on the night of June 5.

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With logistics and assets as much as the problem: a particular set with presenter Julian Bugier surrounded by army specialists, political journalists (Nathalie Saint-Cricq and Étienne Leenhardt) and the historian Fabrice d'Almeida. Not to say the particular envoys who will intervene from particular positions, with tailored reconstructions.

This would be the case in Saint-Lô, a Norman city crushed by Allied bombs, in Sainte-Mère-Église, the primary French city liberated by the paratroopers, within the maquis of Saint-Marcel, alongside the Resistance, and even on a touchdown barges, the place journalist Agnès Vahramian will carry to life the stress and rigidity surrounding the primary assaults by the allied troops.

There may also be (false) direct broadcasts from London, Rome, Washington, Moscow and naturally Berlin, the place the generals remained suspicious for a very long time, plunged into confusion, to the purpose of not instantly waking up Adolf Hitler, who had gone to mattress. , as typical, very late at night time on the Berghof…

Colorized archival photos

“We only rely on real facts, reliable information, we ban fiction,” explains director Jérôme Revon, who has been working along with his groups on the venture for six months. We cowl your complete night time of June 5 or 6 in an hour and 1 / 4 from a central stage with interventions and reside broadcasts. »

Many archive photos have been colorized to make the sequences extra nervous and different scenes have been reconstructed to offer a subject report really feel.

“This is the case of Winston Churchill's famous War Room in London, completely remade in the studio with extras, where the journalist Dorothée Olliéric makes her interventions,” explains the director. The France 2 editorial crew performed the sport to the fullest, the foremost reporters obtained concerned, studied the documentation, immersed themselves within the information of the time, regardless that they’re at the moment extraordinarily busy with the warfare in Ukraine or the battle in Israel…”

The climate benefit

There will even be an everyday climate replace through the show, offered by presenter Anaïs Baydemir: it should be stated that the climate situations performed a key position on D-Day. The Allies are following the affair very intently: a radiant solar would the armada within the open, too thick a fog would forestall the assist of the air forces…

A number of days earlier than the touchdown, a giant melancholy fell on the south of England, however a slight calm was anticipated on June 6: the final employees rushed ahead, the Germans weren’t knowledgeable of this enchancment in climate, they estimated any disembarkation unattainable…

Could information channels cowl such a army deployment right this moment? The military doesn’t wish to have journalists on its aspect, it’s well-known, methods should stay secret and, on June 6, 1944, the Allies took care to encompass themselves with accredited cameramen to immortalize the occasion…

“The supreme battle has begun”

At the time, it was particularly radio that performed a number one position: on the Allied aspect, the BBC welcomed the French resistance – the well-known Radio Londres – towards the propaganda of Radio Paris, within the palms of the Nazis, and Radio National Vichy. The latter will announce the touchdown of their noon newspaper, whereas the BBC broadcast the primary press releases within the morning.

At the beginning of the afternoon, Marshal Pétain urged the French “not to listen to those who are leading the country to disaster”. At the tip of the afternoon, General de Gaulle introduced on Radio Londres that “the supreme battle has begun”. The warfare additionally went by way of the airwaves… See: The Longest NightWednesday June 5 at 11 p.m., on France 2


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