The director who exhibits essentially the most racist and darkish France: “The truth about it is that the police kill one young man from the suburbs a month” | EUROtoday

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There are motion pictures that operate as prophecies. And it isn’t a lot as a result of they offer concepts or function a mannequin of conduct (maybe additionally), as due to their readability within the prognosis, for his or her forcefulness within the presentation of causes and, if essential, for his or her extreme dedication to a narrative that’s I might say extra actual than actuality itself. In 2019, the French director of Malian origin Ladj Ly He stunned France and, by the way, the world together with his very explicit revision of essentially the most French and common of tales. The Miserables It had little or nothing to do on paper with Victor Hugo's novel and, but, the spirit appeared the identical. Located within the Parisian suburbs (the suburb well-known), the story was advised of some law enforcement officials engaged of their each day struggle. In between, the native mafias, the incipient Islamic fundamentalism, the younger folks on the streets, the desperation, the noise and even the unhealthy euphoria of a soccer World Cup that’s received and explodes. Everything was there.

Now, The undesirables he jumps again (about 2005) to relate with the identical stark gesture the second maybe when the issues started to be too huge. “My idea,” says the director, “is to complete a trilogy about neighborhoods. Whether or not it will serve to change things? That is at least my intention. I don't make films for anything, I make films so that things make sense.”

But we have been speaking about prophecies. The interview takes place in the midst of the San Sebastin pageant, just some months after the homicide of Nahel Merzouk by the hands of the police. It would appear that the scene seen on tv reproduces with an uncommon transparency the identical factor that now we have simply seen within the movie. What's extra, in a scene of The undesirablesthe folks of the neighborhood assault the home of a politician who has deceived them, an occasion that actually occurred after being seen within the cinema as fiction.

“It's funny. I always say that There is not a single second of my filmography that is not based on reality, which I have experienced almost personally. And those. What I didn't imagine was that reality would end up copying fiction, my fiction,” she feedback with a smile between irony and astonishment. And she continues: “When we premiered The Miserables Four years ago, we were pleasantly surprised that the political class and the president himself Macron They referred to it as a cry of alarm. But we see that not only has nothing been done, but things are getting worse. All politicians have failed. There is constant talk of emigration as a source of problems, but the reality in France is that the police kill a young man from the suburbs every month. It's pure statistics, it doesn't seem like it's going to change. One death every 30 days“. It is evident.

The undesirables come again to it suburb to now cease on the political class already talked about by the director. It is advised how the inhabitants of a block of flats are evicted with the excuse of the deterioration of their homes and with the thought of ​​renovating them. But there’s a trick. The homeowners are expropriated and obtain an amount of cash in compensation that doesn’t permit them to purchase again the renovated homes, now too costly for them.

“Well, that's what's happening in much of Europe. It's called gentrification. The neighborhood where I grew up benefited from one of the largest urban renewal plans in France. The people who had lived there, and most of whom had also been born there, were expelled. They were private condominiums,” explains Ly. “Our parents bought their apartment paying enormous interest at the time, more than 15%, and after 20 years, when they finished paying, they were told: 'Your neighborhood is too degraded, They have to go.' They were paid just under 15,000 euros and that's it. “It was an organized rip-off!”

The film starts with a sequence to remember. Purely heartbreaking. And even somewhat comical in its desolation. A coffin descends on the shoulders of the neighbors down a staircase that is undoubtedly too narrow. But it ends, with the solidarity effort of everyone, where it should. Again, the strategy is to match the fever of the characters with that of the same chamber. From the first to the last frame, Ladj Ly's work responds to a trance choreography that is as magnetic as it is dangerously entertaining. The director wants to play with that sensation, very close to the feeling of guilt that comes with enjoying the most desolate of panoramas. And it is there, in that fracture, where all the bile sneaks in, all the corrosive power of a gaze that unapologetically makes the artifices of a genre film its own. “It could sound pretentious,” says Ly, “however I really feel proud to see that our approach of creating movies has been replicated by different administrators. The downside with in the present day's cinema is that it’s all the time the identical ones telling the identical tales. And that’s see very clearly in France. It is important that folks inform their very own story, that another person not come and switch it right into a condescending caricature.

Ly's dedication to his approach of seeing the world, cinema and even cinema has led him to open faculties in as much as 5 totally different locations all over the world. “Traditional schools are expensive and restricted to the usual. In these, everyone, regardless of their background, is invited to ride and learn,” she says. One of them, by the best way, was opened and closed (“due to economic unviability”) within the Madrid district of Vallecas. “The truth,” she continues, “is that over time there has been a monopoly on stories. We fight to have a voice and for that voice to be true“.

Ly says that he’s conscious that issues are getting worse. “The French left votes for the right, and the usual right, for the extreme right… When the system is corrupt, you either fit into the mold or you leave,” she says. And regardless of every part, there is no such thing as a selection. “It is impossible to give up being who you are. Maybe if I had been born in a rich neighborhood my films would be about yachts, luxury cars and love problems, but I can only do what I do. I understand that I have a responsibility to future generations,” go on. Is France's downside totally different from that of the remainder of the European nations? “I don't think so. It is true that France drags a colonial past of exploitation and slavery that it refuses to recognize. “France doesn’t wish to apologize for its previous and that implies that proper now a complete continent like Africa doesn’t wish to know something about France,” he responds, pauses for a second and adds: “I'm afraid that somebody will protest what I simply mentioned. In quick, these are issues that everybody is aware of and plainly we wish to cover.”

The undesirables arrives in theaters just when someone would say that France finds itself in the most complicated and difficult of situations. There is definitely some prophecy in The undesirables.



https://www.elmundo.es/cultura/cine/2024/06/16/666f0775fdddffbebb8b4570.html