'Memory': love in instances of trauma | Culture | EUROtoday

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Memory It is a melodrama that clothes its ache with too many layers of distress, an extra of traumas that the Mexican director and screenwriter Michel Franco confronts with a lovely – and on the identical time very darkish – love story sustained because of its two interpreters, Jessica Chastain and, above all, every little thing, Peter Sarsgaard. The new movie from the director of After Lucia (2012) y New order (2020) focuses on the encounter between two damaged individuals whose emotional incapacity illuminates an surprising path.

Franco introduces us to Chastain's character, Silvia, at an Alcoholics Anonymous assembly. She is a social employee, single mom of a preteen, who not suffers from gout. Her habit, managed because of a strict routine, is the consequence of a childhood of abuse. When Chastain meets Saul (Peter Sarsgaard) at an alumni celebration at her highschool, she errors him for one of many boys who abused her. Sarsgaard, awarded the Volpi Cup on the final Venice pageant for his position, doesn’t keep in mind him, as a result of he suffers from untimely dementia that’s destroying his reminiscence.

Jessica Chastain and Peter Sarsgaard, on the first occasion they meet in 'Memory'.
Jessica Chastain and Peter Sarsgaard, on the primary event they meet in 'Memory'.

Franco's preliminary method may very well be summarized like this: we’re confronted with an unattainable love story between somebody who remembers an excessive amount of and one other who begins to overlook every little thing. But true to his extreme universe, this preliminary rosary of misfortunes—and, as we’ll shortly see, misunderstandings—is not going to be sufficient for a director who continues to peel the onion of a person and a lady trapped by trauma.

Franco locations his characters in social contexts which can be solely totally different in look, one thing that offers a sure which means to their encounter. They are each from rich origins however they’re additionally wastes of an order that expels them. Chastain's home, situated in a small residence on the outskirts, has a automobile wheel workshop subsequent door, which conveys to the viewer the thought of ​​a scrapyard that presides over a movie that, as a substitute of delving into the fracture of The characters add trauma, one thing that particularly impacts her character.

Despite this extra, one of the best of Memory It is the way in which by which its two primary interpreters give form to this unusual idyll between castaways. In entrance of the extreme close-ups that introduce us to the tortured Chastain, Sarsgaard's character is offered in full physique, a person with no compass who expresses in a transferring means his dejection within the face of an more and more liquid mind. Without any expressive exaggeration, Sarsgaard, elegant and delicate, strips his character of every little thing pointless to stay with the essence of him. He is a candy and engaging man, who was certainly cultured however now all the time lives obsessive about the identical track. A man on the point of the abyss of forgetfulness whom the actor distances from the temptation of pathos to indicate it with respect and delicacy.

Memory

Address: Michel Franco.

Interpreters: Jessica Chastain, Peter Sarsgaard, Merritt Wever, Brooke Timber, Josh Charles.

Gender: drama. Mexico, 2023.

Duration: 103 minutes.

Premiere: June 19.

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https://elpais.com/cultura/2024-06-19/memory-el-amor-en-los-tiempos-del-trauma.html