Vetusta Morla shares her new album with EL PAÍS subscribers | Culture | EUROtoday

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Vetusta Morla's might be one of many longest relationships on the music scene. They have been working collectively for 1 / 4 of a century and, like a great married couple, they argue amongst themselves about whether or not they’re already 26 or not but. The query got here from Laura Piñero, the hip SER journalist who offered the assembly that EL PAÍS+ organized for a bunch of subscribers on the Teatros Luchana in Madrid.

What the band is evident about is the variety of albums they’ve printed. On May thirty first they launched the seventh, Extras, an album with which they’ve deserted their customs. An instance of that is the way in which they offered the album. It was neither with the RTVE symphony orchestra, nor with songs added within the final concert events of the tour, as everybody believes. It was with out warning, with a technique so surprising that his followers didn't even discover. In December 2023, Vetusta Morla gave a Wizink Center live performance in Madrid and, breaking with any advertising and marketing handbook, they determined to play the songs from the brand new album whereas the general public entered the venue, however folks appeared to not discover. “I looked at the networks and said 'Isn't anyone really noticing? “I expected something more, (the songs) happened as extras,” mentioned Álvaro Baglietto, the bassist, ironizing the state of affairs.

Even so, it’s a work finished with and for its viewers. The faces on the album cowl are a few of his followers, who volunteered to take part within the inventive course of. They are the extras in Vetusta Morla's life, the individuals who, anonymous, cross round him with out phrases or dramatic motion, however who’re important for the band to maneuver ahead.

The Madrid group wished to show the idea round, pay tribute to them and put these folks within the highlight, a “scaffolding” to which “not much attention is usually paid,” says guitarist Juanma Latorre. And they wished to make it clear to their viewers that they take them into consideration, particularly earlier than asserting their retirement from the stage for some time.

They will start this trip, after a brief tour, with a great style of their mouths as a result of they’ve finished one thing totally different of their earlier jobs and are glad with the end result. The band confessed that they’d composed this album “in fits and starts”, between concert events on their tour. floor wire and never “in a time condensed in the studio”, as they’ve finished different instances. They favored this new manner of working as a result of they are saying that “things are not lost along the way” they usually have been in a position to inform what occurred because it occurred.

“That has meant that each song has its moment of glory, without knowing which of its companions were,” Latorre confessed. “There are many songs that are left off the albums, not because they are not good, but because their peers throw them out of the group.” The end result has been 11 songs which might be very totally different from one another.

Although they’re all particular, Oh, Madrid It was one which was talked about probably the most. Galván spent a number of minutes explaining what they wished to say about this matter: “Large cities generate in their inhabitants a feeling of strong attachment and detachment. In the case of what we are dealing with, which is Madrid, it has been dehumanizing us little by little, expelling us from its neighborhoods and taking us to the periphery because the center of the city is like a Gruyere cheese that is left for real estate agencies, to speculate and for tourist flats. (…) That is anything but human. And at the same time we have that point of pride that says 'we are from here and we are not going to abandon'. From that place it is written Oh, Madrid, but it could be Ay, Barcelona, ​​Ay, Soria or Ay, A Coruña.” The assertion provoked applause from the general public.

They have additionally experimented with the way in which of recording songs within the studio. While Maps y The defeat They have been recorded reside, Seems like a lie o Drones They are “pure experimentation with the studio gadgets,” in line with Latorre.

Producer Campi Campón has so much to do with this experimentation, who, for Pucho, the voice of Vetusta, is the group's psychotherapist: “He is the one to whom every of us tells our sorrows and artistic discomforts. We inform him, 'He put that guitar in and I don't prefer it in any respect, do no matter, however take it away,' then the opposite man eats his head on the opposite aspect and he distributes the sport and says that the music belongs to everybody.”

What already belongs to everyone is the physical format of the disk, which is now available. For this album, both CDs and a 7″ vinyl have been produced, the right eye of Madrid residents. After the interview, the band performed two songs on the stage of the Teatros Luchana: Oh, Madrid y Extras.

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