Tao Dance Theater: chilly meditation by means of the physique | Culture | EUROtoday

There are exhibits, as there are books, exhibitions, movies, and so on., that require better exercise on the a part of the recipient, on this case, the spectators, to offer that means to the story that’s transmitted and reconstructed. That is to say, what we do with what is obtainable to us requires a better effort on the a part of the one who receives it. In the double program provided final night time on the Teatros del Canal in Madrid (right this moment is the final day of efficiency) by the Chinese firm Tao Dance Theater, the trouble is to share that meditation by means of the physique that the dancers appear to train (12 within the first piece and 14 within the second). They develop the strategy of the round system of motion, which is a strategy sponsored by their choreographer Tao Ye, who directs the corporate along with the dancer Duan Ni.

The method is predicated on taking the spinal column as the principle axis and from there, drawing round actions that, within the physique of the performers of this group, lead to a precision and even perfection, near the inexplicable. But this method can be primarily based, and right here comes the half by which a particular predisposition is required of us to have the ability to join with it, additional doses of focus, because it rests on steady repetition. In this sense, the corporate’s discourse is predicated on the oriental concord that permeates Chinese tradition, accentuated in each items by their soundtracks: historical sounds signed by the composer Xiao He, within the first, 12; and by the repetitive and tireless resonance of a metronome, within the second, titled 14.

The identify of the 2 items additionally responds to a artistic components coined by Tao Ye in recent times. He has known as it “numerical series” and accentuates the summary nature of those exhibits titled with numbers (the 14 is the final one) which additionally seek advice from the variety of dancers on stage. The whole absence of a dramaturgy with some contact of narration (though there isn’t a story, in up to date dance there nearly by no means is), the linearity of what occurs on stage and the incessant repetition, are patterns already skilled for many years in dance. and who’ve given actually extraordinary exhibits of nice contained drive. However, regardless of fairly just a few very fascinating substances on this double invoice, the night turned out flat. Too a lot distance (certainly meant) between the stage and the stalls.

They are works that work effectively with one another. The first, 12, a 30-minute train composed of solos on white linoleum, helps his physique speech on the ground. Without nearly coinciding on the stage, the our bodies enter and depart one after the other, diagonally, wearing mild colours, executing a series that could possibly be repeated advert infinitum. 14, The second piece of the night time can be a piece that might drag on till it finds its finish. They are items that start and finish with none theatrical lexicon to announce it (no reducing of the lights, no curtain, no absence of music…) and, definitely, this is likely one of the nice successes of the 2 works: lastly one thing of confusion shakes us within the chair.

On some event, Tao Ye has acknowledged that in his works the physique, and solely the physique, stripped of any exterior stimulus, is the protagonist. 12 y 14 They attest to this creed with an amalgamation of just about automaton dancers (with none facial features) who, even when the applause has began (the greetings additionally appear to be a part of the choreography), don’t give any signal of life past the dance.