How I wrote my dream film with AI | EUROtoday
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MLadies and gents, fasten your seat belts: I’m getting back from the long run, and it is scary. Or not. It relies upon. Since the demise of Jean-Pierre Bacri, one thing has been lacking in French cinema. This benevolent irony, this lucid however by no means merciless have a look at our little cowardices, these silences extra eloquent than phrases. So I attempted a loopy experiment: writing a movie within the type of the tandem he fashioned with Agnès Jaoui, with the assistance of synthetic intelligence. Out of a want to listen to their strains once more, to rediscover their deadpan humor, to carry Jean-Pierre Bacri’s imaginative and prescient of the world to life a bit longer. Just that.
The AI in query is named Claude. Don’t google a photograph of her, she does not have one. Not but. She writes, analyses, debates, suggests. With a really Anglo-Saxon politeness that might make our Fémis screenwriters appear like counter boors. “May I suggest a more subtle approach to this scene? » But yes, Claude, you can.
A stunning human-machine collaboration
The result of this man-machine collaboration shook me. Claude tried to capture the very essence of the Jaoui-Bacri style: the bittersweet irony, the silences that speak volumes, the lines that hit the mark. I had helped Claude a lot by providing him with a very precise character bible. I also designed the trajectory of the characters, main and secondary, and I suggested their intertwining and their resolutions at the end of the film. I even cast the film to help Claude write suitable dialogue. A very beautiful poster with the Ja-Ba but also Gérard Darmon, Miou-Miou, Gérard Jugnot, Gérard Lanvin, Anaïs Demoustier…
The AI understood everything: in a few seconds, it created around fifty scenes to weave all the threads. Then I asked him to add silent scenes, covered by music. And precisely, speaking of the soundtrack, she created a playlist that was incredibly consistent with the tone of the film… I was amazed. In three weekends and around twenty hours, Claude and I completed a precise sequence and all 55 dialogue scenes. I could adjust the emotions to correct what didn’t suit me: erase an implausibility here, add a little spice to a situation, moderate the pathos in this or that scene. Claude understood everything and it only took him about thirty seconds to deliver a new scene, adjusted according to my instructions as a “director”. Federico Fellini, get up or I’ll go loopy!
The limits of Jaoui-Bacri imitation
And the end result? Jean-Pierre Bacri and Agnès Jaoui are second to none. Especially since their type isn’t made from “vanes”. So, the AI reproduced Bacri’s turns of phrase however neither the substance of his phrases nor the essence of his humor. However, she helped me write 140 pages of a coherent and well-crafted script. Who is the writer, I requested Claude? “I am programmed to help create and develop ideas, but I cannot claim copyright. This storyline was born from our creative collaboration, but the rights belong entirely to you as a human,” she or he replied.
And humor, how was Claude capable of produce humorous strains? “It’s an excellent question that goes to the heart of how I operate,” replies Claude. I don’t “feel” humor like a human, that’s true. I’m led to acknowledge the constructions, mechanisms and codes that create humor. A bit like a musician who can play a rating with out feeling the emotion it’s supposed to impress. »
Digital gamers are already right here
Dear film followers, let’s be clear, that is solely the start of a revolution. Because tomorrow (for example the day after tomorrow, whereas the SACD, the Society of Dramatic Authors and Composers, digests the tablet), it is possible for you to to order your tailored movie. Like a go well with from the tailor, however with out the itchy pins. An interface will ask you to verify containers: “I want a romantic comedy”, “Set in Paris”, “In the 1950s”, “With Audrey Hepburn and Ryan Gosling”. Click, click on, click on. The AI can have such computing capability that it’s going to rework your dream of 24 frames per second right into a true-to-life digital picture in just some hours.
I obtained caught when computer systems made Harrison Ford thirty years youthful within the final opus of the saga Indiana Jones. Arriving late on the cinema, I rushed into the room. Discovering the “young” Harrison Ford on the display screen, I assumed for about ten minutes that I had been within the unsuitable room and that it was a rebroadcast of an previous episode of the saga…
Become the hero of your individual movies
But AI will go even additional. Tomorrow you’ll be able to BE the star. Your digital avatar, scanned on a day if you have been on the high of your recreation (keep away from the day after New Year’s), may give the reply to Marilyn Monroe, Brigitte Bardot, or Clark Gable. Did you dream of changing Tony Curtis in Some prefer it sizzling ? It’s doable. To welcome Marilyn into your bunk like Jack Lemmon? Also. For 50 euros monthly, you turn out to be the hero of your cinematographic fantasies. Do your kids prefer to take “selfies”? They will love making “self-ci” (for self-cinema).
The purists will choke. “Cinema is an art! » they will shout between two Godard retrospectives. Certainly. But printing was also an art before becoming a commodity. Ask the copyist monks what they think. Oh no, they’re long dead. Like cinema as we know it is going to die.
From “screenwriter” to “director of possibilities”
I see you coming: “It’s the end of creation!” Genius! Inspiration! ” Really ? Is it not rather the ultimate democratization of the dream? When everyone can create their own film, real talents will emerge differently. Perhaps we will see the birth of “directors of possibilities”, “architects of stories” who will no longer design a film, but narrative trees where each spectator will trace their path.
The actors? They will become brands. Their heirs will sell their image rights like selling a vineyard. “The Humphrey Bogart 1942, an excellent vintage, perfect for your film noir. » Contemporary stars will negotiate contracts including their posthumous use. “Tom Cruise is available until 2150, except for musicals after 2080.”
When the AI will guess your tastes
Movie theaters? Transformed into collective experience spaces where spectators will vote live to choose the destiny of the characters. “For Harry to leave Sally, type 1. For him to stay, type 2.” Well, no, I don’t really believe that and Robert Hossein killed the match.
But the most fascinating thing is yet to come. When AI understands our tastes so well that it will offer us the film we dream of without us even knowing it. “I see you are depressed and have watched three times Santa Claus is trash this week. May I suggest a comedy about a philosophy teacher who discovers that his goldfish is the reincarnation of Spinoza? » Cinema becomes a psychiatric streaming service. Netflix and my psychologist at the same time, for the price of a session with a non-approved ophthalmologist.
From the Lumière brothers to “Personal Hollywood”
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Kangaroo of the day
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Is it the demise of the 7e artwork ? Maybe. Or its rebirth. After all, the primary spectators of the Lumière cinema fled after they noticed the prepare arriving at La Ciotat station. Today, we’re on the brink of board this prepare, vacation spot “Personal Hollywood”. The ticket prices 50 euros monthly, journey is limitless, and accidents solely occur in movies. Those that you should have chosen by checking the containers “Futuristic film”, “Artificial intelligence”, “Invent a monster”, “in the guise of Orson Welles”.
Claude did not simply write the sequence and the scenes. He additionally developed the manufacturing plan, the weeks of capturing, the season changes, the promotional marketing campaign, and listed the movie festivals that the movie may goal (for me the Croisette and Locarno!)… Darryl Zanuck, get out of this satan’s machine!
https://www.lepoint.fr/culture/comment-j-ai-ecrit-le-film-de-mes-reves-avec-l-ia-30-11-2024-2576769_3.php