‘Seven days in May’, the movie to move the baton of the reminiscence of the Atocha Massacre | Culture | EUROtoday

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The story is well-known, and its protagonists have already advised it tirelessly. But time passes, and reminiscence grows torpid. Here’s a reminder. On January 24, 1977, two armed males entered an workplace on 55 Atocha Street in Madrid and unloaded their weapons, killing labor attorneys Enrique Valdevira Ibáñez, Luis Javier Benavides Orgaz and Javier Sauquillo; to the coed Serafín Holgado and the administrator Ángel Rodríguez Leal. In addition to noticeably injuring 4 different folks. Behind the bloodbath, which ended up changing into a key second within the democratic consolidation of Spain, was a far-right group, carried away by the beliefs that, one yr and three months after the dictator’s loss of life, refused to be misplaced. That was one of many worst days of the Spanish Transition, but additionally an indication that it will not be derailed by violence.

A movie offered on Thursday within the Marcelino Camacho auditorium, on the Madrid headquarters of the Workers’ Commissions, goals to assist dispel the reminiscence. Seven days in May —The title is a tribute to the famend movie by Juan Antonio Bardem Seven days of January tells, by way of a mix of fiction and non-fiction, what occurred then, however with a perspective that solely the passage of time can present. “Spain in general, and the left in particular, have difficulty constructing narratives of country and hegemony. Normally we do it from an academic and radically logical perspective, we have not found that creation from audiovisual fiction promotes ways of seeing and interpreting our history without the need to make political cinema,” stated Unai Sordo, normal secretary of CC OO on the preview. on Thursday, earlier than the gaze of union members, political leaders and rulers, such because the second vp of the Government, Yolanda Díaz, or the ministers of Digital Transformation and Interior, respectively, Óscar López and Fernando Grande-Marlaska.

The function movie that the establishment he directs is selling tells the story of an Italian filmmaker who arrives in Madrid to arrange a movie for the fiftieth anniversary of the bloodbath. To do that, he interviews actual protagonists—all throughout the framework of fiction, as a result of they work together as in the event that they had been mere characters—who inform him their model of the tragic occasion whereas, by way of the fictional plot, the connection between the extremism of that point and the from now.

The movie will likely be launched on January 31 of this yr during which the Government of Spain has determined to arrange 100 occasions on the event of the fiftieth anniversary of Franco’s loss of life, to which Isabel Diaz Ayuso, and the vast majority of her occasion have acknowledged that he was categorically in opposition to it. “As your Government is in its final hours, [Pedro Sánchez] He has decided to burn the streets and provoke violence with very minority groups, who lately take to the streets when he has a bad time. […]. Madrid with democracy and against civil war,” wrote the president of the Community of Madrid on the topic. This movie, responded minutes earlier than the screening, the overall secretary of CC OO of Madrid, Paloma López, “helps tell the right that remembering is not civil war, it is an obligation, it is democratic culture.”

Miguel Saravia, one of the survivors of the massacre, standing on a platform, receives the applause of hundreds of Madrid residents in front of number 55 Atocha Street in Madrid, on the occasion of the 20th anniversary of the murder of the labor lawyers.
Miguel Saravia, one of many survivors of the bloodbath, standing on a platform, receives the applause of tons of of Madrid residents in entrance of quantity 55 Atocha Street in Madrid, on the event of the twentieth anniversary of the homicide of the labor attorneys.Bernardo Perez

The thought is shared by the director of the movie, Rosana Pastor, actress and movie director, winner of a Goya for finest new actress and deputy of Podemos from 2016 to 2019: “A fact that was foundational for our democracy cannot be forgotten. . In despair the extreme right takes our hand. We have to work for hope.” In the movie he directs, the testimonies of José María Mohedano, companion of the murdered labor attorneys and member of the personal prosecution throughout the trial, are heard; Francisca Sauquillo, lawyer, former social European parliamentarian and sister of Javier Sauquillo, murdered within the assault; Manuela Carmena, former mayor of Madrid, a labor lawyer who by likelihood was not within the workplace that evening and who acknowledges “a debt” to her colleagues; and Alejandro Ruiz-Huerta, the one one of many survivors—the bullet that was going to kill him hit a pen he was carrying in his shirt pocket—who remains to be alive.

The challenge, in response to its director, goals for the story they inform to succeed in younger folks. “This constitutes us and it is important to pass the baton,” he stated. Those younger individuals who, dissatisfied with the deterioration of their residing circumstances, turn into straightforward prey for extremism. Just have a look at the info from the survey titled Spain’s democratic dysfunction of 40db for El PAÍS, printed on the finish of final yr. 26% of younger males most well-liked, “in some circumstances,” authoritarianism to democracy. Something much like the CIS knowledge the identical yr: one in 4 younger folks between 18 and 34 years previous didn’t take into account democracy to be preferable to another type of Government. And though he means of working The protagonists of the function movie agree, from the intense proper to come back to energy has modified, adapting to the present instances, the story, says certainly one of them, “maybe it doesn’t repeat itself, but it rhymes.”

https://elpais.com/cultura/2025-01-17/siete-dias-en-mayo-la-pelicula-para-pasar-el-testigo-del-recuerdo-de-la-matanza-de-atocha.html