Michel Gondry will get beneath her 10 -year -old daughter in an animated movie made with cardboard | Culture | EUROtoday

Michel Gondry and his little daughter, Maya, reside in several international locations. So the filmmaker, who lives in Los Angeles, determined that a great way to speak together with her, a neighbor of Paris, might be to construct a standard creative undertaking. He began in 2018 and continued till final 12 months: he requested for titles of potential shorts by way of the mom’s cell, and from there the varied adventures created alone by the Frenchman had been born, with no extra supplies than scissors, cardboard, paper, his fingers and a digicam that photographed every picture to, from 18 pictures per second, elaborate Maya, give me a title, that has been launched within the Berlinale. And each the daddy and the daughter can’t be extra proud.

It just isn’t the primary animated movie of the director of Forget about me! Rebobine, please o The science of sleep. 12 years in the past, additionally within the Berlinale, he offered Is the Man Who Is Tall Happy?, An animated documentary that illustrated his conversations with Noam Chomsky. “My mother, has it been so long for so long?”, Loose earlier than a bunch of journalists in Berlin. To his left, Maya, who speaks good English at 10 years, smiles at him. His father, alternatively, continues to run over that language with an incorrigible accent. “Every time I speak worse, and the Frenchman …”, he laughes. Maya might have folded her animated character, however her father’s voice comes from actor Pierre Niney, subsequently, along with the filmmaker.

Actually, Gondry has at all times been on his personal. As an commercial director, as a genius of musical movies – so his status was born – he has created very in his personal approach: he might not set his solely superhero film, The Green Horned. “I have done this work as a human being, not with machines or as a machine, so this process looks, in fact, the things that I did. And you, what do you think, Maya, connect with your generation. ” “Well,” the aforementioned begins. “Now everyone has a mobile and does things with that device. Dad, did you have mobile? “They didn’t exist.” “And there were cars that were driving alone?” “Neither”. “Ah.”

In the background, Maya, give me a title It is a love letter from a father to his daughter. Maya begins as a child, with four years, and as time passes, she grows (except in an episode with pins that wan), the titles enter complexities until finally decides that the game is over. On screen, Gondry releases a lament: “No more drawings? What am I going to do with my life. ” At that point, he throws himself to the road to supply his expertise to strangers till Maya returns with extra orders. However, the viewer feels what occurs: the lady is already a younger. “I didn’t want to see myself so girl on the screen,” summarizes the aforementioned in Berlin. The father defends her: “It is normal, it evolves. I have made eight videos with Björk, and the same thing happened. They are different because we change over time. ” By the best way, from his Mayan Father’s films he has seen THE BOOK OF SOLUTIONSThe loopy historical past of microbe and gasoline And he loves his work with Daft Punk (Around the World).

Gondry believes that he won’t abandon animation, as a result of he has managed to mix this movie with different duties within the cinema, the brief movies (it’s actually prolific) and promoting: “When you see a drawing, it is that, just a drawing. If you want to move it, your hands come into play, and you encourage it as if it were … magic. Every time I do, it houses me the same feeling. It is like when the microscope was created, and a new world was opened. Manual animation is the same: a system that gives you access to another dimension, and this for me is very interesting. ”

Now, it doesn’t deny know-how: “You can be very creative with a computer, but when computer science is imposed on the human being, creativity is limited. I refuse to be nostalgic. A computer can provide you with an almost unlimited color palette. I use them for laborious tasks. Anyway, I see them as another tool to achieve my goal. ”

As a father, Gondry falls into the comparability between him and his youngsters: with the eldest, Paul, who’s now 32 years outdated, additionally entered creative collaborations. “It is funny as genetics is transmitted. We have many things in common. She, on the other hand, is more interested in history, verbal communication, the social encounter. I was opposite. Paul is otherwise, I was very bad student … like me. ” “But Paul is great.” “Yes of course. Paul as a student had an incredible thing: he was able to get in front of a teacher and camber her and take her until she got the answer to the question she had asked him. ”

Gondry does remember how child was: “I never thought I would make movies. And it makes sense, because in the cinema you mix many things. When I was a kid, what I liked most was orange juice and milk. And I ended up mixing it. ” “Dad, oh, oh.” “Yes, it was not a good idea, although it works in the audiovisual. The best thing about animation is that there are no limits, you can create the world you want. ” And, very seriously, stop smiling and points out: “The value of human work is being lost. Artificial intelligence will ruin our lives. That worries me, it will be a challenge that faces my generation. Every time the rich are richer and we are more in their hands. ”

At the end of the talk, Gondry points out that he is still in contact with Jim Carrey, the protagonist of Forget about me! (“He painted a portrait!”) And that his next project is in him, he is a musical. “There shall be animated segments, comparable to stylized fireworks, as a result of they appear extra attention-grabbing to roll them reside,” he says. “As I’ve at all times accomplished, I find yourself defending the artisanal aspect of creative creation.”