What is the Netflix sequence price “Le Guépard” price? | EUROtoday

On Mar 12, 2025

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Un Sicilian track sounds. The digital camera – mounted on a drone – overlooks a seaside panorama, bathed in sundown. On a sandy highway, a fiacre is advancing at excessive pace. Always overlooking, nonetheless in movement, the digital camera now frames younger women who sing to mass, then troopers who stroll in cadence within the streets of Palermo, after which nonetheless church domes.

Here, the military is vital, and the Church too, let or not it’s stated! At night time, the fiacre door opens: a person carrying the mustache and the pepper and salt hair is popping out. It is Prince Salina: the soldier acknowledges him. The prince calls for from the soldier who refuses him the passage that we make an exception for him. “Let the cheetah pass!” Then shouts the soldier.

Are we afraid to be bored?

After 5 minutes of episode 1 of this adaptation of Cheetah From Giuseppe Tomasi di Lampedusa, the whole lot is obvious: the mechanics are properly oiled, the slicing impeccable, the sequence will look with out drawback. The spectator won’t ever have time to ask questions.

Where are we ? Sicilian music, Palermo plan: we perceive. Who goes there? From the primary second, Prince Salina was appointed and subsequently, everybody always calls “the cheetah” … in case we might have a doubt. Are we afraid to be bored? The digital camera strikes to have the impression that one thing occurs.
Read too Bel Antonio… or how Marcello Mastroianni has turn out to be helplessFor whom by no means learn The cheetah, Neither given his adaptation to the Proustian fragrance signed by the nice Luchino Visconti, the Netflix sequence seems with out displeasure. The photograph is slightly yellowish, however the Sicilian palates are splendid, and the costumes impeccable – an excessive amount of, since they appear model new.

Well -oiled mechanics

Obviously, there’s a lack of pedigree: even when it was the idol of the Italians within the Nineties, Kim Rossi Stuart does probably not have the presence of Burt Lancaster, Saul Nanni is a wonderfully forgettable Tancrède, which was not the case – to say the least – of Alain Delon, and the music of Paolo Buonvino solely when she cites – unforgettable Nino Rota.

If we advance within the episodes, it’s as a result of the slicing of the plot into episodes – by the British Richard Warlow -, and the sequence of the scenes correspond to a properly -oiled mechanics.

Read too Why it’s completely essential to see “The Last Showgirl” with Pamela Anderson Each hour of the cleaning soap opera ends on a political suspense – because the story takes place on the time of the struggle for Italian unity, whereas the Garibaldians are getting ready to overthrow the multi -room regime of the Bourbons – or sentimental.

Who will the attractive Tancrède (Saul Nanni) select, from Concetta, the prince’s daughter, elegant and reserved, or the upstart however sensual Angelica Sedara (Deva Cassel, the daughter of Vincent Cassel and Monica Bellucci, additionally very removed from the presence of Claudia Cardinale)?

Slow decomposition of an organization

It seems at, subsequently, but it surely leaves no hint: the fault of a complete lack of standpoint on the e-book, handled right here a bit like within the faculty collections of the sort “” Profile of a piece “which summarize a masterpiece to three themes, just to help the high school student take his exam without having really read the work.

THE Cheetah is the novel that Giuseppe Tomasi di Lampedusa writes in response to the questioning that inhabits him on the vanity of history. We often cite in this regard the sentence pronounced by Tancrède: “If we wish the whole lot to stay as it’s, the whole lot should change. »»

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Answer

In truth, the reversal of 1 political group by one other proves to be a easy signal of the passage of time. This is partly why Visconti had chosen to stage the ball-halfway by way of the novel-the massive ultimate scene of her movie of which she occupied the final third.

We attended the sluggish decomposition of a splendid however moribund society, and we understood that an equivalent future was ready for the subsequent technology … Here, whereas like Visconti, Richard Warlow selected to push the loss of life of the prince on the finish of his adaptation – within the novel, the destiny of the characters is instructed over a number of many years after this occasion -, none of this. A ball is a ball, not a second of philosophical meditation, a battle a battle, not a mirrored image on the that means of historical past.

https://www.lepoint.fr/culture/que-vaut-la-serie-netflix-le-guepard-12-03-2025-2584600_3.php