The director of the “godfather”, Francis Ford Coppola, delivers his prime 5 of the very best movies of all time | EUROtoday
Le decisions was powerful. Francis Ford Coppola, director of the trilogy of Godfather and ofRevelation Now – or extra just lately behind the very criticized Megalopolis – was referred to as upon to construct its prime 5 greatest movies of all time, on the microphone of the location, listing and social community of criticism of letterboxd cinema.
“I have 400 favorite films, there are so many,” admitted, embarrassed, the director … earlier than defending himself. “It is determined by the day you ask me. This fluctuates, “he nuanced, as if to make sure in advance that his cinematographic pantheon of the day would not make disappointed.
And Coppola to get started: “At the moment, one of my favorite films is French Cancan (1954) by Jean Renoir that I just saw. I also liked Shanghai Express (1932) by Josef von Sternberg, which I watched recently. There are also modern films that I really like. Macadam Cowboy (1969), for example. »»
When Coppola almost wrote the script for Macadam Cowboy
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The kangaroo of the day
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The American director, who celebrated his 86e Birthday on April 7, the day of broadcasting the interview, additionally needed to say slightly extra about this final movie, of which Jon Voight was the headliner. “I blame myself a little for Macadam Cowboy Because I was offered to write the script, I was young and I really didn’t understand the book, he recognized. I didn’t even know what it was a gigolo. I had been very disturbed by the book. But when I saw the film, I found it beautiful. And I ended up meeting the director, John Schlesinger. He was a wonderful man, so kind, then I saw all his other films, and I found them magnificent. »»
Read too Francis Ford Coppola: “I broke all the foundations with” Megalopolis “” Francis Ford Coppola completed his ranking with two British films, Baghdad thief (1947) and Black narcissus (1940), both made or co -breaded by Michael Powell, explaining that the latter, in the same way as Carol Reed (The third man) and Alexander Korda (Don Juan’s last adventure), had embodied one of his major stylistic influences.
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