More than half of the ladies within the audiovisual business have suffered some sexual assault: “It is an insecure environment” | Culture | EUROtoday

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The first nice report of the Association of Women filmmakers and audiovisual media (CIMA) on sexual violence within the Spanish audiovisual business attracts a demolishing portrait of the sector. The important truth is conclusive: 60.3% of ladies declare having suffered some sort of sexual violence in areas associated to the movie and audiovisual business. Within that group, 49.5% say they’ve confronted bodily harassment. The investigation, which has been offered this Thursday and entitled After silence. Impact of sexual abuse and violence in opposition to girls within the movie and audiovisual business, It relies on 312 surveys on-line answered by members of this group (which has 1,300 members) and accomplished with work teams and interviews with specialists. The important conclusion is that it’s “an environmental environment for women.”

The evaluation – realized by Nerea Barjola Ramos, political scientist and physician in feminisms and gender, and Tardón Recio Bárbara, a health care provider in interdisciplinary gender research – explains why girls don’t reveal the sort of aggressions: “92% of women who have faced sexual violence have not denounced it.” Only 6.9% have carried out so earlier than a State Security Corps, Autonomous Police, Court or one other Institution and 13.6% “They could tell a person in charge (Chief/EO Human Resources)”, though 94% did confess to a close-by individual.

The causes that push to not report are assorted. If 30% didn’t know how one can proceed with the suffered, 27% didn’t do it for concern of reprisals and 22.2% as a result of they consider that the criticism wouldn’t serve something. Of those that did report, 46.2% have a “very bad” opinion of the care acquired. In addition, 64.4% of ladies “believe that complaints are not taken seriously”, a share that reaches as much as 80% within the age strip of 20 to 29 years.

The Minister of Equality, Ana Redondo, participates in the presentation of the top report.

In the presentation of the report, the documentary filmmaker Almudena Carracedo —vocal of the Board of Directors of the highest and a member of the Violence Commission – has defined that the report has been a yr of labor and careworn “the systemic of the aggressions”.

Naturalization and normalization of aggressions

Nerea Barjola has careworn that “there is a naturalization and normalization of violence in the audiovisual, they are integrated and are perceived as inevitable: everything leads to the culture of impunity. That happens by a structure that protects and generates violence, from interpretation schools to production offices. Even in scripts there are narratives that do not leave room for feminism.” And he has deepened that “young women suffer double violence: that of their age, therefore precarious economic condition, and that of the hierarchy.”

On the implications, in line with Barjola: “Violence goes beyond the direct fact, because it causes numerous consequences in the medium and long term. There is a collective silence, and this is the one that we have to take charge as a society. The context even revictimizes those who have suffered the aggressions.”

For its half, Barbara Tardón has influenced what stays to be carried out: “The findings are shocking, although not surprising. For example, that 92% who do not report is just the same percentage that appears in other surveys on Spanish and European society. We urge all competent public institutions and the audiovisual sector A, simply, comply implement their measures. ”

Filming in Santa Cruz de Tenerife.

In the conclusions, after rebeling the research and the methodology, the “existence of an impunity system that protects the aggressors within the film and audiovisual sector is noticed: impunity towards those who exercise violence is sustained by institutional silence and companies/producers/distribution platforms responsible for audiovisual projects. (…) The absence of effective mechanisms of denunciation or sanction Active or passive complicity of colleagues, colleagues, managers or entities of the sector, shield this impunity. the victim or survivor and directly and indirectly protects the aggressor. ”

Thus, the system consolidates “an environment work insecure for women.” According to the report, “a vacuum of effective instruments in the film and audiovisual industry is verified, such as the obligatory protocols for prevention and action adapted to the recent legislative frameworks against sexual violence. In cases where there is some mechanism to respond to sexual violence, an alarming ignorance has been found [el 64% desconoce los protocolos de prevención]also about its operation or about the information related to its application. The testimonies show us a reality in which the existence of protocols or hotlines [líneas telefónicas en las que referir anónimamente lo sufrido] does not always guarantee its effective application […]. Professionals raise protocols as Wet paper Without an effective application where its implementation is a merely symbolic measure in a structure that does not guarantee compliance with measures ”.

The high report factors out: “The movie business shouldn’t be a impartial area; its buildings reinforce inequality and legitimize sexual violence as a part of the work. […] Testimonies mirror that data concerning the aggressors is collective and that, even so, it doesn’t act in opposition to them. Phrases like ‘everybody is aware of’ proof a structural complicity that permits the permanence of perpetrators within the sector. “

A filming team in the Canary Islands.

Tardón factors to the quite a few duties of the establishments, which he urges to adjust to their very own legal guidelines. There are suggestions for the Ministries of Culture, Equality and Work, for the Film Academies, for the Autonomous Communities and for Companies.

Among the authorities current – Cristina Hernández, director of the Women’s Institute; Virginia Yagüe, president of Lady, the Entity for the Management of the Rights of the screenwriters, who has collaborated on this report; The Eurodiputada Irene Montero (who as Minister of Equality promoted the regulation of solely sure is, and Guadalupe Balaguer, president of the highest – has spoken the Minister of Equality, Ana Redondo, who has underlined “the quantity of values ​​of this report, the place the info doesn’t kill the story. Progressive, “he explained:” It is time to alter. Joined by an equal, numerous and violence audiovisual business.

https://elpais.com/cultura/2025-04-24/mas-de-la-mitad-de-las-mujeres-de-la-industria-audiovisual-ha-sufrido-alguna-agresion-sexual-es-un-entorno-inseguro.html