“With Cerrone, I found a form of mentor” | EUROtoday

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Dyears a boiling canes, a number of hours from their passage on the set of C to you,, suiteCerrone and Christine and the Queens reply the telephone with a similar candy and confederate voice. They have little time, due to a delay on rehearsals. Together, they have to interpret dwell “Catching feelings »»first piece of an EP of three unpublished titles and a cover of “supernature »»anticipated on the finish of June.

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“The collaboration has established itself,” says Cerrone, lately put in in Cannes. No label plan, no roadmap. She woven herself in endurance, over the afternoon within the studio, to the rhythm of craft work. “We met, seen repeatedly, to proceed the pleasure of being collectively. In his condominium on boulevard Saint-Germain, the king of Disco already had in reserve an arsenal of loops and textures, when the 2 artists meet for the primary time.

Together, they search, attempt to marvel round widespread sounds of the afternoons throughout. “We had to create one song a day,” says Rahim C Redcar (Christine and the Queens). The result’s an EP, anticipated on the finish of June, whose flagship title “Catching feelings”, written by Brendan Reilly, and launched the day of our name, units the tone: fierce (“Fierce”), sufficient queer, in response to the artist. “I see an invite to imagine love in all its kinds, to give up to feelings, at a time when vulnerability is typically refused. »»

https://www.youtube.com/watch?v=Thrmivd9qlm

Over the EP, the items dig deeper furrows. “Last ones” evokes resilience, says Rahim. “The story of the one who crosses the storm and finally ends up standing. “As for” Give it to me “, he mixes tenderness and distrust, romanticism and power. “There is real strength in these songs, even when they talk about love. A power that crosses it all. Cerrone approves. With him, this tension has long been written in sound DNA. The party has never been a leak.

“Cerrone is the legend”

Through exchanges, the duo quickly took an almost spiritual dimension. “I noticed Marc’s picture with the Dalai Lama, in his workplace,” says Rahim. “It says so much about his method of making: it is a query of vitality, frequency, what we select to provide. Last February, once we too entered this Parisian condominium, on the event of the discharge of his album Disco Symphony, Cerrone referred to as Rahim as “a little bird fell from a nest”. Today he reiterates the picture. “An actual shock. Unexpected expertise. “Rahim welcomes the formula with emotion: Cerrone, it is” the legend “:” I met somebody who, regardless of the years, remained devoted to his instincts, generally even in opposition to the recommendation of his label. He isn’t an artist who lets himself be carried out. And I feel perhaps sooner or later I additionally wanted to fulfill a type of mentor. »»

It is an understatement to say. At greater than 70 years outdated, the King of Disco continues to make historical past, with the distinction of getting participated within the Olympic Games final yr, the signing of the album Disco Symphonyand the discharge of a documentary retracing her 50 years of profession on June 18, on Canal+ – with VIP testimonies: Nile Rodgers, Juliette Armanet or Gaspar Noé.

“I rewrite the heritage of Christine and the Queens”

As for the place of Christine and the Queens within the musical panorama, it at all times asserts itself in a stress between the area of interest and the burden of the music business. “I hate that we lock people in huts, it is considering me. I want to stay free, he explains. I rewrite the heritage of Christine and the Queens, but by remaining myself who I became. I cannot compromise on whom I have become. Even if people really try to lock me in a memory, they see me in motion anyway, and I think they know. Christine and the Queens has become a poetic space, a work in itself. The artist is no longer called Christine on stage, but Rahim, “for reasons that are obvious when we know my interior journey. It is important for me now to distinguish my artistic project from my person. »»


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With Cerrone, they mentioned at size in regards to the place of Christine and the Queens, expectations of business, these of the general public: ought to we stay underneath the id Rahim C Redcar, drive issues, impose in any respect prices a metamorphosis that the general public was not prepared to listen to or accompany this moult slowly, to the rhythm of an inside dialogue nonetheless in progress? The artist actually wonders. “In any case, I do my greatest. I can not bear an excessive amount of that I’m referred to as Christine, as a result of, for me, it’s not essentially respecting the trail I’ve made as an individual. But Christine and the Queens, as a mission, clearly, even for me, it is an entire story that I do not essentially wish to surrender. We do not should sacrifice ourselves both. “This” rehabilitation “, Rahim wants it” Shakespearean ” – not out of the style of emphasis, however by have to stage his personal separation. “Christine is the story that I constructed. But I can not compromise on what I’ve grow to be. Even if some attempt to lock me in a reminiscence. »»

The collaborative EP is anticipated on the finish of June.


https://www.lepoint.fr/culture/christine-and-the-queens-avec-cerrone-j-ai-trouve-une-forme-de-mentor-24-05-2025-2590435_3.php