“The Brume drinker”, the anger of Guillaume Gallienne | EUROtoday

On Jun 7, 2025

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LE TRAC, Guillaume Gallienne realized to tame it, on the boards of the Comédie-Française, on a cinema plateau, to learn the primary phrases of Research Or any work to which this literature passer has lent his bewitching voice.

A “bad stage fright” nonetheless grasps it, like an omen, because the National Museum of Tbilissi approaches, the place he should spend the evening surrounded by the materials of Sorine, the Grand Ilya Répin and the Portrait of his great-grandmother, Princess Mélita Cholokachvili, often called Babou.

Because the long-awaited head won’t happen, or, not less than, not the best way during which this inheritor of a giant dynasty had dreamed of it. “I got here to Georgian and so they handled me as a vacationer. It’s nicely carried out for me. »Moved to the National Gallery, hanging on a short lived partition between two galleries, the portrait of Babou toe his great-grandson. With “his little smile and his half-closed eyes”, his face appears to “challenge” him with one thing, however what?

A despotic father

Guillaume Gallienne had at all times refused to jot down a guide. Like Tchekhov’s Trigurine, he feared proposing one thing “kind, but nothing more”, intimidated by his studying of “so many masterpieces”. The order formulated by the gathering “My night at the museum” supplied him a pretext. But when he thought “open all [s]Sens “to” make himself porous “to the canvases of nice masters, he was confronted with the sensation that had, till the delivery of his son, dominated: anger.

“I spent my childhood imagining a parallel world to compensate for a paranoid father and a mom with out tenderness. All my youth, I heard him yell at him, and I noticed her her, each day after I bought again from faculty, mendacity on her mattress to learn books with rose water with grotesque covers of muscular males tightening of their naked arms girls in lace evening shirt. »»

A anger {that a} first journey to Georgia, throughout which he lastly sends this despotic father to graze (we rejoice on studying the scene!), Will have made it attainable to appease, and the writing, to keep at bay, in order to not bequeath her inheritance to his son Tado, to whom the guide is devoted.

Tribute to the ladies who’ve marked her life-Babou la Magnificent, Cai, La grandmère adored, Amandine, the lady of her life, and Alicia, her cousin died at 20-,, The mist Transforms ire and violence into the testimony of affection in the direction of those that have enabled the “tyrannized child” to comprehend, to make his hypersensitivity a drive. Carried by the voice of the actor, the phrases of the writer dialogue with a Georgian soul that we fantasize, after they learn, to find in oneself.

To uncover

The kangaroo of the day

Answer

“The mist of mist”by Guillaume Gallienne (Stock, coll. “My night at the museum”, 288 p., € 19.90).

https://www.lepoint.fr/culture/le-buveur-de-brume-le-coup-de-colere-de-guillaume-gallienne-06-06-2025-2591434_3.php