why this sequence of arte on marital rape is outstanding | EUROtoday

Quer is a sequence held, retained, remarkably written. A sequence with out results, the place nothing is supported, however whose plot is adopted by a throat ball. Where every character exists and who succeeds within the tour de drive to take the aspect of Miren with out, nevertheless, to scale back both the complexity of those that face him or the problem of the work of justice in such circumstances. How will we show the absence of consent when there is no such thing as a blows or specific threats, however a hidden violence, a local weather of everlasting oppression, reprisals which don’t say their title? When the rapes are of the order of a ritual the place, two evenings per week, within the bourgeois consolation of a bed room, a girl swallows her tears and typically pretended to take pleasure in? “Fear is silent,” stated Miren in the course of the trial – or of silence, justice doesn’t know what to do. Silence affords protection a weight argument, and relations a handy refuge. If life was so painful, in any case, why did not you say something? Why stayed?

“Should you incarcerate all types of 60 years?” »»

“This case is won in advance, but we will have to play the comedy until the judge says it,” stated the lawyer of Iñigo. Sure of his truth as is his shopper, and the shut circle of the latter: happy males, satisfied of being good husbands and good fathers. To whom it appears very pure {that a} spouse stops working to lift her kids and has no cash or property of her.

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Who, if they’re upset, can drive too shortly to scare it and move their nerves. Who slam doorways, which strike partitions, which monitor, denigrate, intimidate and declare their due: a steak, intercourse. “In a couple, nobody wants to sleep all the time, philosopher a sister of Iñigo. We give in, as we give in to other things. We don’t want to, but hey … should you incarcerate all types of 60 years? It’s delusional. “It is a query of blocking earlier than the accuser, to silence the doubts, to think about that we all know what he’s returning:” The other day in the old town, continues the same, three Moroccans aged 17 or 19 have stuck a kid under a porch. Horror. This is rape. »»

The scene takes place in a luxurious country house; We have just left the fairly sad apartment of which Miren inherited in the suburbs of Bilbao, this “room with oneself” which allowed him to go away. Querand that is what makes the sequence so clever, so disturbing too, advances by video games of mirrors and parallels between the characters, the locations, the conditions: an structure that enables vacillating, the diffraction of factors of view and their evolution. These are the 2 large sons, as reverse as we may be, who every should take a stand and see one another of their dad and mom’ eyes. She is the spouse in entrance of her daughter-in-law, the witnesses of the 2 elements, the camps which are fashioned or disintegrate. And the sequence ends within the picture of Miren, who advances within the evening smiling.