Benjamin Castaldi unzips the movie on Signoret and Montand | EUROtoday

Get real time updates directly on you device, subscribe now.


UDo not “lazy fiction, built on deformed figures and subjected to the ideological codes of our time”. In a platform revealed on the web site of Paris Match This Sunday, June 22, Benjamin Castaldi could be very crucial of the subsequent movie by director Diane Kurys, who can be launched on 1er Next October.

The Culture Newsletter

Every Wednesday at 4 p.m.

Receive the cultural information of the week to not be missed in addition to surveys, decrypts, portraits, developments …

THANKS !
Your registration has been taken into consideration with the e-mail tackle:

To uncover all of our different newsletters, go right here: my account

By registering, you settle for the overall circumstances of use and our privateness coverage.

In the viewfinder of the French animator: the way in which by which the romantic relationship between Simone Signoret and Yves Montand is advised. Supposed to pay tribute to his grandparents, stars of French cinema, I who cherished you would truly be a “reconstruction […] Allowing all the emotional shortcuts of a feminism that has become dogmatic, ”according to Benjamin Castaldi. And to denounce an “simple”, “comfy” and above all “false” story.

“Their story deserves higher”


To uncover



The kangaroo of the day

Answer



For the TV presenter, Yves Montand (embodied by Roschdy Zem) is portrayed by Diane Kurys as a “bland and fleeting man” in addition to a “toxic male”. The actor and singer, who died in 1991, would, quite the opposite, would have been somebody “complex, committed, proud”, based on his grandson. Benjamin Castaldi additionally regrets that Simone Signoret (interpreted by Marina Foïs), who died in 1985, be proven on the display as a lady “extinct, melancholy, recluse”, she who was endowed with a “devastating humor”, a “political intelligence” and was an actress “out of pear” and a “free intellectual”.

“Their history deserves better than this opportunistic rereading, ideologically biased, and dramatically bland,” says Benjamin Castaldi. Convicing an “era obsessed with repentance”, he claims to have “been betrayed” and “speak as a witness” and never as a “jealous heir”.


https://www.lepoint.fr/culture/une-fiction-paresseuse-benjamin-castaldi-dezingue-le-film-sur-signoret-et-montand-22-06-2025-2592626_3.php