David Costa: “We are jugglers of the voice and physical theater” | Notebook | EUROtoday

This is the story of how a semi -professional singing group in Banyoles got here to a 3 -month season in a Paris theater, after passing the Avignon Festival, and a 5 -year tour with lots of of bowls in Catalonia, Spain and Europe. Everything, due to the concept that the playwright and director Jordi Purtí had in 2010 when he went to seek out them: what would occur if among the most well-known opera passages in historical past have been drawn from context and changing into a on a regular basis scenes a surrealistic level? What if the arias, openings and hearts of Verdi, Rossini, Bellini or Mozart sounded solely chapel With the voices of singers who additionally act as actors pulling gags and utilizing gestural humor? The end result was Operettaa small worldwide success of the Catalan theater that the Cor de Teatre firm has now launched. It may be seen from July 8 to twenty on the Condal Theater in Barcelona.

Fourteen years after the primary Operettaand the doorways of the 2 weeks of capabilities that can do that July on the Condal Theater in Barcelona, ​​we discuss with the musical director and founding father of Cor de Teatre, David Costa. “We didn’t expect anything. We were a group of friends who wanted to sing and do theater, always chapel Because we like vocal polyphony and we feel musicians. Many of us come from teaching: there are teachers from music schools, elementary schools and institutes. We survive with different jobs, but we have a totally solid structure that has allowed us to produce shows for more than 25 years. ” Operetta The Family Show has simply been introduced on the Festival (A) PHONICA DE BANYOLES Sounds on the space.

Voice jugglers

Costa defines his coaching as “jugglers of voice and physical theater”. One of the emblematic scenes of the play is the runners of the Tour de France: “ This could be very tough to do. He is a concrete to 6 voices the place we do all the things, the polyphony, the solos and the devices.And you might be shifting on a regular basis (they simulate that they’re biking) and drained very a lot. We might say that within the play there are three scores, the stage, the stage, the stage. We sing the devices we use onomatopoeias … Dara-Dara-Dan, Pa-pa-pa-pa-pa-pa-pa-pa … that is what we name the harmonious pillow.

Of the various anecdotes of the worldwide tour ofOperettaDavid Costa highlights the Mena de actuality they lived on the Avignon Festival: “We stayed to a chateau (citadel). When we carried out on the Liceu, we have been found by some French producers who later produced different reveals. We have been instructed that we’d go to Avignon, and I solely put them as a situation that we might go there the 20 members of the guts with our household as a result of it was July. And we have been housed on this citadel that had exterior showers the place we bathe was bare and, subsequent to, a discipline of potatoes with the farmer who noticed us from the tractor and was getting nearer. In addition, because it was an outdated farm we have been placed on dry bogs exterior as a result of inside we couldn’t defecate all collectively. “

Asked how the traditional opera audience received, the purists, a show that shake the genre, Costa says that “ very well. For example, the soprano Ainoha Arteta came to see us a night at the National Theater and told us that he had loved it, he waited for us and even sent me a thank -you email. ” The director of Choir of Theater concludes: “It could be very tough to clarify in phrases the present, I can solely let you know that who goes into the theater to find us falls in love and finally ends up applauding. And if we now have returned, we now have accomplished it as a result of the viewers requested us.”

You can listen to this link this interview, issued to the Everything is comedy of the SER chain.