The Munich exhibition “Hair – Power – Lust” | EUROtoday
Why did France’s “Sun King” Louis XIV really put on a mighty curly wig that flowed nicely over his shoulders? He used it to hide the hair loss that had begun at a younger age, and on the identical time this style, which he himself launched at courtroom, enhanced his imposing baroque look. The courtiers flatteringly adopted his instance and thus expressed their proximity to energy. Hair can subsequently function a standing image and make hierarchies seen.
The feminine the Aristocracy additionally oriented themselves as a lot as potential on royal heads, irrespective of how unsuitable the tower-like buildings created by Marie Antoinette’s courtroom hairdresser had been for on a regular basis use. But women like the sweetness in salmon-colored silk on the spinet, who was portrayed by the older Johann Baptist Lampi within the Eighties, had been in the end capable of spare lots of time for his or her look.
Her mighty excessive coiffure does seem like fantastically maintained, however on the identical time, Louis Sébastien Mercier vividly describes how issues might go on inside such absurdities in his essential and ironic reportage work “Tableau de Paris”: “Apart from false hair, this type of hairstyle includes an enormous false bun stuffed with seaweed and a whole forest of long needles, the sharp tips of which are aimed at the scalp.” He writes in regards to the pomades that quickly went rancid, about irritation and lice infestations, and about scratching sticks that had been used to appease “excessive itching.” These “poufs” will not be even taken off in mattress, however solely after they have been “eaten away by the disgusting dirt that has accumulated under this brilliant tiara of hair”. If you wish to be stunning, it’s a must to endure. Was issues extra hygienic in historical Egypt? In any case, folks wore their very own hair beneath the horse wigs, just like the limestone sculpture of a high-ranking couple from round 1200 BC. BC exhibits, largely lower quick.
Nietzsche’s seal schnauzer as a trademark
This is the oldest exhibit within the magnificent exhibition devoted to go and physique development within the Kunsthalle Munich, which, curated by Juliane Au and Roger Diederen, traces a grateful narrative materials with none bald spots by means of cultural and artwork historical past over 3,000 years. Divided into many chapters, one sees hair mirrored in energy relations and used as a political assertion, concerned within the capricious play of style and the cult of magnificence, in varied roles in fantasy and faith, concerned in erotic promise and doom, as an financial issue and even an object of sober science. Hair can act like a trademark, Nietzsche’s thick seal schnauzer for instance: Max Klinger immortalized it on his bust of the thinker.

Then once more it paperwork group affiliation, for instance to non secular communities; Mario Testino photographed a Hindu sadhu who wears floor-length dreadlocks as an indication of ascetic dwelling. As a devotee, Samson was additionally by no means allowed to let the razor close to him; a portray by Luca Giordano exhibits how the corrupt Delila shortens the hair of his sleeping lover, inflicting him to lose his legendary energy. On the opposite hand, how lovingly Saint Verena washes the hair of a severely ailing individual in a sixteenth century portray; Next to this Samaritan lady, a helper exhibits her attribute, the double comb, simply because the hairdresser from August Sander’s picture sequence “People of the 20th Century” introduced his razor in 1930. Valuable engraved tortoiseshell combs, an ivory fold-out beard comb and fairly shaving bowls illustrate the hairdressing and barbering commerce of yesteryear. But anybody who went to the bar needed to collect all their braveness even nicely into the Middle Ages. Because in a twin perform, this career supplied its clientele with rustic medical therapy with tooth pulling and bloodletting, even in a dingy environment.

It’s not simply the eccentric hair artist Charlie Le Mindu who thinks that lower hair is simply too good to throw away, who used it to create attire for celebrities like Lady Gaga; During the First World War, the armaments trade additionally known as for hair donations for the manufacturing of drive belts and felt seals. Associating sturdy hair development with fur and, in consequence, with animal drive and low intelligence quotient, culminates in mythological creatures such because the satyrs and Silenus, who’re endowed with animal-like options, who are inclined to drink and prey on the nymphs. Hair impacts everybody. Not having hair could be a downside, however so can having an excessive amount of hair. People with hypertrichosis, genetically precipitated extreme full-body hair, ended up as dwelling stock in cupboards of curiosities, or they paraded round as fairground points of interest like Barbara van Beck, whose portrait, painted round 1650, solely offers a touch of her face behind dense vegetation.
From Simonetta Vespucci to Medusa
Regardless of haircut style, lengthy, thick, shiny hair was and is taken into account an attribute of feminine magnificence in most cultures. Even if Sandro Botticelli could have exaggerated a bit with the hair that he paints on the profile of a younger lady, the distinction between intricately organized curls, beaded braids and some untamed strands will increase the attractiveness of this Bellezza, behind whom one suspects Simonetta Vespucci, essentially the most stunning Florentine of her time. However, if magnificent hair, in a figurative sense, turns into a “catching net” for supposedly defenseless masculinity, a seductive femme deadly was most likely at work, to not point out the snake-covered head of Medusa, which meant demise to take a look at.
The most up-to-date exhibit, Anja Kuzmic’s watercolor portrait of Cole Escola, celebrates the primary nonbinary individual to win a Tony Award for Best Actor in 2025. At the award ceremony, Escola wore an updo that contrasted with the curly chest hair within the deep night gown cleavage. The chapter “Hair and Gender” offers with such norm-breaking gender performances, which stage mixtures and interplays with options with feminine and male connotations; the identical sexual self-determination, as postulated by Valie Export in her provocatively cut-out “Action Pants: Genital Panic” in 1969. At that point, hair expressed protest, amongst hippies in opposition to the conflict, amongst punks in opposition to philistinism, and the “Afro” amongst African Americans in opposition to racism. The Ivorian artist Laetitia Ky can also be aiming in the direction of Black Power in the present day when she makes use of extensions and wire to show her hair into boxing gloves. Such a headdress could be extraordinarily harmful in Iran, the place ladies who insurgent and demand rights with their hair uncovered danger imprisonment and demise.
Her – Power – Lust. Kunsthalle Munich; till October 4th. From November 14th within the Augustinian Museum Freiburg. The catalog from Hirmer Verlag prices 45 euros.
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