Spotlight on America on the Picasso-Paris Museum | EUROtoday
The Musée Picasso Paris devotes two competing exhibitions to grasp of satire Philip Guston and California underground pioneer Raymond Pettibon.
By presenting two exhibitions devoted to Philip Guston and Raymond Pettibon, concurrently, the Musée nationwide Picasso-Paris goals to supply “a unique dialogue between two figures of North American art, united by the same subversive force and a shared taste for satire and critical irony.”
The pairing of those two American artists on the Picasso Museum is not any accident. Like Picasso earlier than them – who created the satirical etchings “The Dream and Lie of Franco” utilizing comic-strip model panels to mock the Spanish dictator – each Guston and Pettibon reworked common visible languages into weapons of political critique. Canadian-American Guston’s exhibition facilities on the illustrations designed in echo to Philip Roth’s e book “Our gang”, and drawings impressed by President Nixon and his administration.

From the very second Philip Guston was expelled from Manual Arts High School in 1927 along with his good friend Jackson Pollock for distributing satirical pamphlets concerning the English division, his artwork would change into a pointy device to problem authority. At the age of 18 he introduced a sequence of drawings which depicted members of the Ku Klux Klan for the primary time, denouncing the “judicial lynching” of the “Scottsboro Boys”, 9 younger African Americans who had been wrongly accused of rape and given disproportionate jail sentences and dying sentences.
Why the Picasso Museum? The hyperlink is discovered within the early Twenties when Guston found Picasso’s work within the assortment of Louise and Walter Arensberg in Los Angeles. This revelation had a long-lasting affect and in 1937, the portray that Guston designed in response to the bombing of Guernica was displayed alongside Picasso’s visible commentary on Franco. A acknowledged and main determine within the summary expressionism of the New York School, he was partly by means of his reminiscences of Picasso’s satirical and grotesque work and drawings that Guston made a radical return to figurative artwork greater than thirty years later.

A drastic change got here in 1979 following a coronary heart assault. Now compelled to take a seat resulting from well being limitations, Guston switched from giant codecs to works on paper distilling his work into what curators describe as a “state of technical and iconographic grace”.
From the Nixon drawings to his ultimate work, the exhibition on the Picasso Museum highlights Guston’s dance between grotesque and caricature, and the scathing energy of his work.

Raymond Pettibon
In parallel with Guston, the Musée nationwide Picasso-Paris is dedicating an exhibition to American artist Raymond Pettibon, with the help of the David Zwirner Gallery. Through seventy drawings and a dozen fanzines, the exhibition explores the world of this main artist of our time who uniquely captures the punk rock zeitgeist.

A self-taught artist born in 1957 in Tucson, Arizona, Pettibon made his debut within the late Seventies on the Californian punk rock scene, designing album covers for the band Black Flag in Hermosa Beach, California. His drawings had been consistent with the DIY aesthetic of comics and fanzines attribute of the punk motion. He drew on a variety of sources, from literature to artwork historical past, faith, or politics to sports activities. He paints a biting portrait of a nihilistic and violent American society, marked by the tip of the hippie dream and the return of conservatism — forcing the viewer to confront their very own values.
By pairing two main American artists Guston and Pettibon by means of their hyperlink with Picasso’s legacy, the museum creates a dialogue between European and American traditions of political artwork.

Philip Guston. The irony of historical past
Raymond Pettibon. Underground
Until March 1, 2026
National Picasso Museum-Paris
5 rue de Thorigny, Paris third.
www.museepicassoparis.fr
Lead picture credit score: View of the Philip Guston exhibition at Musée Picasso-Paris © Sylvia Edwards Davis
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