Robert Royal, the American eye on the Spanish Transition | Culture | EUROtoday

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An distinctive witness to the top of the Franco regime and the good change in Spain, Robert Bob Royal, who died this Wednesday on the age of 86, photographed every little thing in a rustic with which he fell in love, put down roots and the place he has stayed endlessly. He confessed to me a couple of weeks in the past that in view of the political drift of the present United States it made him even happier to have made the choice to be Spanish. Through his photographic eye has handed the historical past of the good change of his adopted nation, which he arrived within the sixties when the increase tourism was starting to look.

Tall, blond and a very good rider, that boy from Alabama who had handed by way of New York was the right dimension to be a cowboy in these motion pictures of the spaghetti-western filmed in Almería. He needed to be an actor and there he left his mark. Among different movies he would movie with Rafael Gil Rocío Roadwithin the firm of Carmen Sevilla, Paco Rabal and Arturo Fernández. You can comply with his path within the credit, simply as I found him within the signature of his images studying the New York Times within the seventies and eighties throughout my time as a correspondent within the United States. Finally, in Madrid, I’d meet the photographer of the Timeslively member of the Association of Foreign Press Correspondents, at all times with digicam on the prepared.

He labored facet by facet with the good correspondents and particular envoys to the Spain of the Franco regime and the Transition, when the sniffers of the good crises landed in Madrid and located in Bob an skilled information and a pal: James Markham and likewise Flora Lewis for the New York Timesthe German Henry Kamm or the previous head of the Associated Press delegation in Saigon, Malcolm Browne, and even Martha Gellhorn, who returned to a Madrid with out the Hotel Florida the place she lived with Hemingway through the Civil War. When they appeared searching for the Spain that was within the information, Bob was already there.

A couple of days in the past he recalled essentially the most painful episode of these he skilled within the quite a few coverages: the late Franco executions in Hoyo de Manzanares. Before the transit started, essentially the most horrible factor occurred. The dying penalty returned. When the caravan of automobiles carrying those that had been going to be shot left the Carabanchel Prison certain for the Hoyo barracks, they had been discreetly joined by a automobile that didn’t increase suspicions. It was uncommon for somebody to be shot in Europe and from the United States the matter was seen with whole perplexity. The journal envoy TIMEGavin Scott, and photographer Bob Royal arrived of their car on the gate of the barracks on the outskirts of Madrid. “They let us enter up to a point where we did not see, but we did hear, the shots. I was afraid to even raise the camera surrounded as we were by soldiers. I remember that the army commanders were interested in making it known that those in charge of the execution were not them but numbers of the Civil Guard!” The most dramatic factor, he confessed, was seeing the kin “broken in the face of the tragedy they experienced firsthand when collecting the bodies.”

There are images of Bob taken a couple of meters from Franco, of that black and white Spain and its evolution till right now. After its first exhibition on the North American Cultural Center in Madrid, with a collection of his work from ’63 to ’83, the exhibition, which might journey to Granada, was displayed on the Madrid Metro and traveled to the United States. Three continents and one photographer was the title of his exhibition in Malabo, in Guinea. The in depth retrospective that the International Press Club devoted to him was complete of these years that had been so vivid and that had been so historic, from 1967 to 2014. The final main exhibition was devoted to him by the University of Salamanca, a middle that has been considering preserving his legacy. His pictures are a part of Spanish and overseas collections.

Robert Royal was additionally a photographer of promoting campaigns, panorama and monumental pictures, codecs during which he attested to the technical high quality that he had been growing. Half a century of editorial, promoting and company pictures.

In his in depth work we are able to ponder a altering Spain, by way of the eyes of a person who liked the nation he selected and its individuals. He additionally endeared himself. A number one determine among the many group of overseas correspondents, who had been his second household and to whom he devoted time and enthusiasm in his actions. His three youngsters, 4 grandchildren and his widow had been his pillar till the top. Bob felt particularly proud and pleased to have created “a Spanish family.” He was getting ready a brand new e-book, a compendium of his work on Spain, which will probably be a good looking testomony to that nation that he liked a lot and which he noticed change.

https://elpais.com/cultura/2026-01-28/robert-royal-el-ojo-americano-sobre-la-transicion-espanola.html