The Noisy Particularity of the World by Philip Okay. Dick | The stone ax Science | EUROtoday

Under the title The exegesis We are introduced with essentially the most private Philip Okay. Dick, a manic and obsessive man who turned paranoia into literature of anticipation.

Gifted with excessive sensitivity, and with a sure tendency in direction of the invisible aspect, Dick associated the world of subatomic particles with varied types of mystical expertise. For this motive, his day by day testimony is a delirium the place religions intersect with quantum physics, in addition to Eastern philosophy with the drive of gravity and the I Ching curving area. If ever anybody got here near a Theory of Everything, it was not a scientist, however a science fiction creator named Philip Okay. Dick.

It will not be a joke. Because in all this gibberish that’s his diary, the lucidity with which Dick offers with points associated to quantum physics and the noise of the world that offers rise to scientific legal guidelines stands out. Philip Okay. Dick’s exegesis has simply been edited by Minotauro, respecting the unique version by Pamela Jackson and Jonathan Lethem. The translation into Spanish is by Juan Pascual Martínez Fernández and its pages are a juicy instance of how the character of actuality perceived from a transversal path illuminated by phosphenes may be questioned.

In one in every of his entries seems the letter he wrote to literary critic Peter Fitting, the place Philip Okay. Dick declares that “the universe is moving backwards.” To argue such an announcement, he cites the piece printed by the Hungarian scientist Arthur Koestler within the journal Harper´s in July 1974 with the title “Order in disorder”, a examine wherein Koestler writes concerning the course of that the Universe goes via ranging from primordial chaos. Based on this premise, Dick makes use of the idea of tachyons, that’s, hypothetical subatomic particles that transfer at superluminal velocity, to theorize about their motion.

According to Dick, tachyons transfer in the wrong way and produce us from the long run a sequence of knowledge that solely folks with an excessive diploma of sensitivity are capable of seize. According to what he wrote in his diaries, Dick was amongst these folks and, like his cat and the opposite animals, he was capable of seize the data from the tachyons earlier than they disintegrated. In truth, he used this data to argue his fables.

His disconnection from actuality led him to suppose that tachyons exist and that they work together with strange matter with out violating the precept of causality. All in all, it’s curious to see how Dick was nourished by scientific theories, deciphering them in his personal technique to get nearer to connecting the elemental bodily interactions in a Theory of Everything; a mix of speculations that helped him write works of fiction the place he anticipated the dehumanization of our species as a result of know-how.

To put it this manner, Philip Okay. Dick’s diaries are an instance of an impure combination of the three pure types of data: science, artwork and revelation.

The stone ax It is a piece the place Montero Glezwith a need for prose, exerts its explicit siege on scientific actuality to display that science and artwork are complementary types of data.

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