In the lair of Hans Zimmer, the composer king of blockbusters | EUROtoday

HYears Zimmer is 2 Oscars, greater than 500 soundtracks of movies, TV sequence and video video games in virtually forty years of profession and legendary compositions that everybody is aware of: Caribbean pirates,, Gladiator,, Dune,, Inception,, Rain man,, The Lion King,, Interstellar…

On Thursday, March 20 at 8 p.m., in additional than 200 French rooms, you’ll be able to see and listen to Hans Zimmer and his orchestra interpreted these legendary scores – and plenty of extra – throughout a novel session. Hans Zimmer & Friends: the desert diamond is an distinctive live performance filmed in Dubai, punctuated by conferences between Zimmer and his mates, together with Christopher Nolan, Denis Villeneuve, Zendaya, Pharrell Williams, Billie Eilish … Beautiful world, in brief.

A gathering in a novel place

Hans Zimmer is an distinctive artist, and it’s in an equally distinctive place as he acquired us: Remote Control, his personal studio, within the coronary heart of Santa Monica. From the surface, the constructing, situated at round twenty pâtés of Pacific Ocean homes, doesn’t appear like a lot. But as soon as inside, it is one other world.

A protracted hall bordered by small recording studios results in the primary room: Hans studio. On the partitions, the posters of the best movies of which he composed music, but additionally of valuable recollections: a rating signed by Leonard Bernstein, posters signed by the administrators with whom he labored and even his quite a few costs (Oscars, Golden Globes, and so forth.) … hooked in the bathroom. Nose foot or easy humility? In any case, it made me snort so much.

The environment of the studio is heat and intimate. A big couch, pink velvet armchairs, an enormous Persian carpet, artwork books within the library, a set of soil guitars, classic synthesizers mounted to the wall and, after all, newest digital tools.

And within the heart of all this, Hans Zimmer, nonetheless in full creation. Man by no means stops. Finally … besides to welcome us, with generosity, on this studio the place the magic operates. “Magic … and pain,” he mentioned. “There is at all times ache within the inventive course of. But thankfully additionally pleasure … it is my studio. This is the place I spent my life. It shouldn’t be a studio just like the others. I’ve identified so much: chilly, scientific … I wished a heat place. Here, I’ve my books, my synthesizers … It is an ideal place to alternate. Ideas are fuse right here. »»

A composer nonetheless in motion

On the day of our go to, Hans Zimmer labored on the ending of the music of the following movie by Brad Pitt, F1directed by Joseph Kosinski (Top Gun: Maverick), which explores the universe of Formula 1. “I am a little late, but we will end up in time,” he says. Anyway, we’re at all times slightly late, however we at all times find yourself on time. »Agree, Hans, nicely -agree …

https://www.youtube.com/watch?v=3jdrgvsmheg

Of course, we tried to search out out slightly extra about F1however Hans remained silent like a fall on his present tasks. “I can just tell you that you will not be disappointed. »We will have tried …

On the other hand, he was much more talkative about his Desert diamonda spectacular concert film, but not only … The meetings that punctuate the show, these discussions with major talents-the friends of Hans-give the film a strange and welcome intimacy. “In reality, it was Paul Dugdale, the director, who had the concept of ​​integrating interviews,” says Zimmer. The funniest thing is that he had prepared themes for each of them … and we have approached any. It has become a conversation with friends. I wanted to make this film for two reasons: first, because my musicians were at the top of their art. Then, because this show is immense, therefore expensive. Suddenly, tickets are too. But I wanted him to be accessible to everyone, that he touches places where we cannot go. The film allows that. An honorable feeling and, from a commercial point of view, not stupid at all.

A unique approach

Hans Zimmer is probably the most popular film composer today. He was able to merge electronic music and classic composition with a perfect balance. He conquered the greatest directors by an approach to film music difficult to define, because always evolving. The common point of all its compositions? Denis Villeneuve expresses it in the film: Zimmer never seeks to accompany the emotion of the scene, but its signifier.

Hans approves. “Let me quote Ridley Scott:” Emotion is a silent language. ” You ought to by no means inform the general public what it ought to really feel. You simply need to open a door, enable it to have an expertise. I’ll by no means inform you what it ought to be. Everyone is free on their very own emotions. This is why every sequence will need to have a transparent which means. For me, music is it. It represents the perfect of humanity: with the orchestra, we play the identical be aware collectively, which crosses the room and touches the general public. This is what makes us human. Trump who speaks, it’s the reverse of music. It is aggressive mediocrity. We attempt to talk with out phrases, with common concord. »»

A life devoted to musical exploration

During the dialog, Zimmer could be very vigorous. He always strikes his arms, crosses and decrees his legs – which permits us to confirm that the legend is true: he doesn’t put on socks, he hates them -, and punctuates his phrases with ample gestures. As if he had been the conductor of his personal thought, as if, for him, every thing was music.

https://www.youtube.com/watch?v=MQQKZ5CGYBU

Balance is an important ingredient of his work. His music serves the movie whereas totally present. “If I write music, I want it to be heard, without becoming a distraction,” he explains. For stability, I belief my intuition. Most of Chris Nolan’s music music, I composed them with out seeing the photographs. »»

Read too “The cultural power of the cinema remains incomparable”
To uncover



The kangaroo of the day

Answer

For the track of GladiatorZimmer invented a language. For Sherlock Holmeshe wished a gypsy sound, so he left for Central Europe and spent two months in Gypsy camps, recruiting the perfect musicians he encountered. Zimmer dares every thing, with out concern. “The only thing that scares me is not to try. If you stop exploring, inventing, you are no longer faithful to yourself. Music is a river, it flows constantly and trains me towards new territories. I’m just a small boat worn by the current. Playing music… “Playing” is the key phrase. I began a toddler and I by no means stopped. I dwell my life by enjoying. And it is a good life. »»

On the way in which again, caught on the Interstate 10 in the course of rush hour, I had not taken care of it. I listened Timethe legendary piece of the tip ofInceptionin a loop. I had simply spent a morning within the lair of a maestro. A morning with Hans Zimmer.