Klaus Barbie and the drug mafia | EUROtoday

What did the Nazi butcher Klaus Barbie needed to do with the cocaine commerce in Bolivia? And what the CIA with the Bolivian army coup from 1980? These are the driving questions in “The Nazi Cartel”, a brand new three-part documentary sequence by Sky Originals, which can also be to run on ZDF-Info. Eighty years after the tip of the warfare, sequence makers and spectators nonetheless fascinate two properties of the Nazis: their amoral relationship with medicine and their secret survival in Latin America. Why?

The easy reply: True Crime, Polittriller and the Detective Cliffhangers of an investigative report are caught in all places. In “The Nazi Kartell” it’s the beginnings of the Bolivian Koka commerce round “Kokainkönig” Roberto Suárez, his extra well-known Colombian Counterpart Pablo Escobar and their adversary, the first rate however entertaining Michael Levine, an spy of the US drug authority DEA and one of many many interviewing accomplice within the sequence.

And then all of a sudden there’s a badge with a SS-Totenkopf. And the mysterious determine Klaus Altmann. A German with authorities relationships to Latin American overseas, who lives within the jungle collectively together with his household and a set Reichsadler cutlery. At the newest with the visitor look of the Nazi hunter Beate Klarsfeld, it turns into clear that Altmann is the Nazi warfare legal Klaus Barbie-the “butcher of Lyon”, who was in a position to flee to Bolivia with the assistance of US authorities within the early Fifties.

Serial creator Christian Bergmann desires to disclose Barbie’s position as a mastermind within the “Cocaine Coup” – General Luis García Meza Tejada, launched in 1980. He suspects the enterprise curiosity of the Kokain-Mafioso Suárez behind the coup and behind it the political calculation of the then US President Ronald Reagan. The put in satellite tv for pc regime in nearly all of Latin America to hunt communists along with the CIA and outdated Nazis like Barbie. In this manner, the sequence explains the already identified, however blinds the historical past of Soviet supported overthrow makes an attempt. The CIA hindered Dea investigators Levine to overthrow the cocaine king. All threads run collectively at Barbie, and creator Bergmann exhibits himself in his darkened Berlin workplace as a revelation journalistic narrator.

What the sequence claims is schooling. What she delivers is a sensationalist picture of the evil, through which every part is ideologically summarizing, which has to do with up -toer violence. The typical type of the sequence has a very foggy. In the fashion of frequent documentary fiction codecs, contextless archive photos are lined up with boring scenes on mass interviews. It would not matter the place the photographs come from, they serve the illustration. Some, for instance, through which the Brutalo drug boss Escobar phases itself as an informal macho, come instantly from its personal archive-the sequence does with out a vital relationship.

Sure, ethical is all dangerous that Nazis, Mafia and anti -communist gringos crime – the sequence leaves little question. You should not differentiate anymore. Not even between perpetrators and victims. Because they’re put facet by facet within the interview collage with out weighting the sequence their totally different views. Here the tortured politician of the left get together, subsequent to it the chief of police who let her torture. And an excitedly narrative Suárez biographer who calls the Nazi Barbie his good buddy. In the sequence Potpourri, they’re all modern witnesses of the one nice evil – which not is aware of any actual perpetrators. And right here the Germans and their fascination come again into play.

Because what pulls time and again eighty years after the tip of the warfare is the comfortably calculable scary that the Nazi criminals on the screens are nonetheless there – however don’t have anything to do with your self. The ethical accountability for the Holocaust and War Crimes doesn’t lay on each German, however lies within the distant scandalous sphere of the irregular. In unscrupulous criminals like Klaus Barbie, who merely modified uniforms and land to proceed with their terror.

And why Latin America? Eichmann, Mengele, Colonia Dignidad? The fascination for scattered Nazi sizes someplace within the jungle is outdated. Why does this guarantee leisure on the German tv sofa? Perhaps as a result of the Nazis didn’t proceed in Germany, however far-off within the Latin American jungle. Together with the equally evil Americans. “The Nazi cartel” makes a documentary fact and a common decal of evil from Nazis. Fascinating!