How typically do you want to have the ability to meet sure experiences of artistic endeavors as the primary time. With such sudden experiences, the singing of the Swedish mezzo -soprano Anne Sofie from Otter is given. Her performances and their concert events had been by no means Addenda from the on a regular basis lifetime of a star. If you recognize sufficient of some stars, if you recognize three of his thirty recordings, the Otters’ present will put together new listening to and amazement. Also as a result of she has not nestled within the consolation scene of the “classic” repertoire.
It was not the timbrale of the voice with which she tempted her listeners. Your mezzo sounds as a result of it’s positioned excessive, typically shiny and clear as a soprano. Whether this cool sound in contrast in a criticism “with the taste of melting ice”, it was additionally known as “Ice Princess”. Not to overlook the truth that the face of the voice had acquired some wrinkles over time. She didn’t possess the erotic sound stimulus with which Christa Ludwig Hörer seduced. She rapidly left the try to imitate the colleague admired as a mannequin. She was so sensible to solely use the signifies that she has. Between the Poles “Schönklang” and “Expression”, it gave precedence to the phrase expression and detailed nuancing.
Born in Stockholm because the daughter of a diplomat, spent her childhood and early youth in her hometown, in Bonn and Berlin. After the primary years in Stockholm, she discovered a trainer well-known in specialist circles on the London Guildhall of Music: the Hungarian-British soprano Vera Rosza. After a gradual begin, she started lyrical video games in Basel in 1982, debuted in 1984 in Aix-en-Provence and Rome, in 1995 on the Covent Garden Opera in London.
The “circus of the opera world” and its frenzied idling – “nobody really has something to say: the directors are not, the colleagues have burned out on arrival because they move from house” – she was unable to flee, however focused on orchestral concert events and track evenings. She celebrated memorable successes in Berlioz performances, particularly with John Eliot Gardiner, underneath which she recorded oratorios and operas by Monteverdi, Bach, Gluck, Mozart and Berlioz. The break with the notoriously troublesome conductor, who excluded her after 1999, was discreetly consumed. In each admission of Kurt Weill’s “Seven Death Sins”, in 1996 within the NDR, her quiet, loving and instantly flare-up voice turns into the sound determine of a naive-capricious feminine baby. It was step one with which she entered a brand new terrain.
She discovered equally agreed companions, particularly in Marc Minkowski in operas by Handel and an idea album, which, together with his chanson-eSprit, helped Jacques Offenbach as “Mozart of the Champs-Elysées” to new splendor. In Bengt Forsberg, she discovered a pianist with the sense of the sound designs of her voice and a rod for the repertoire. She found the Mélodies of Cécile Chaminade-Bitter-Süße Pralinés of the Belle Époque; a group known as “Watercolours” with Swedish songs by Lars-Erik Larsson, Hugo Alfvén and Gustaf Nordqvist; Songs from Theresienstadt spent composers akin to Pavel Haas, Hans Krása, Viktor Ullmann and a few Anonymi, a mission in collaboration with Daniel Hope.
It was not a crossover descent to the aesthetic basement that after Kurt Weill’s satirical ballet she went into the world of pop and rock music, chanson and fashionable songwriter: to Elvis Costello and the Abba-Granden Björn and Benny or John Lennon. She develops this or different music based on the maxim: “Listening and imitating, changing and finding the own own.”
Today the calendar Anne Sofie from Otter allocates the seventieth birthday. A neglectable age. She remains to be so younger that from June twenty seventh she will likely be on stage within the Cologne Opera in a “think game” by Philippe Manoury: “The last days of humanity” primarily based on Karl Kraus’s world warfare tragedy. The French modern composer wrote the function of Angelus Novus for her: immortalized by the picture of Paul Klee, deeply understood by Walter Benjamin as an angel of historical past.
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