The journey has come to fruition. A decade in the past, Guillermo Galoe (Madrid, 39 years previous) started visiting La Cañada Real, the Madrid neighborhood thought of the biggest irregular settlement in Europe: 8,000 folks dwelling on either side of an previous 16 -kilometer livestock highway, a couple of minutes by automobile from the middle of Madrid. Specifically, I went to sector 6, probably the most south, between the highway of Valencia and La Linde with Getafe. He started to make movie workshops whereas gathering his first Goya prize, the very best lengthy documentary, Fragile steadiness, In 2017. “I did not take the camera to film them until after the first two years, because a camera causes a violent act, to put it before someone, and entails a dynamic of tremendous power,” he remembers in Cannes.
He began recording, rolled a brief, Although it’s night time (2023), who competed within the Cannes competitors and gained the Goya of his class. And he continued. “There was, I had a feature film,” he remembers. Therefore, he remained in La Cañada, together with his folks (“I have been there every week, with the resignations that that entails”), and people neighbors are those who loved probably the most on Monday, accompanying in Cannes the premiere of City with out sleep In the criticism week. “And the idea is, in some way, stay there.” Some of the protagonists, for that meals from quick to size, stroll for the second time by way of Cannes. They won’t attend to them within the presidency of the Community of Madrid, however on this contest they see them, on display, and so they love them, on the carpet.
City with out sleep It just isn’t the continuation of the quick movie, however the enlargement and tuning of that universe, narrated by way of the friendship between two youngsters, Toni and Bilal. Each appears to have the times counted within the settlement. The first, Gypsy, sees how his mom Porfía for acquiring a ground; The second, Maghreb, begins to arrange for a transfer to the south of France. Meanwhile, the times spend recording with the cellular, taking part in with the filters for the pictures. Around it there may be medicine, poverty, despair. Also satisfaction, love for freedom, braveness and insurrection to pre -established schemes. “We decided to make a movie with your community, not about that community,” says Galoe.
On the display, that communion with the inhabitants of the settlement, which has nonetheless with out electrical energy for years, has allowed spectacular digital camera pictures, and a depth of discipline by which meters and meters of life seem. Everything is aware of fact as a result of every part is true. “Everything has nurtured,” confirms the filmmaker. “I spotted how far we had reached the ultimate sequence aircraft, which for me is essential. The van advances on that road in a straight line, as if it had been a territory of the far west. We have managed to combine extra cinematographic elements, with round chamber pictures, with that extracinematographic life that provides with animals or demolition. “
Galoe was a challenge: “I wished to stay as much as house.” And its inhabitants: “Many battle to keep up and enhance the royal cane. That’s why I am going to the intimate. The socio -political is, however the precedence is the characters,” a mixture of actors who began in the interpretation with the short, with other neighbors who have climbed on the trip.
What will happen to the Cañada Real in the future? And with its inhabitants? “I have no answers, and yes many questions that appear on the screen. It is interesting to realize, for example, that those who are real It is not a temporary story, it is an eternal story: that town that is dismantled and that disappears as a ghost and appears elsewhere, with everything, let’s be critics and non -romantic.
There is something else: racism. “Of course. That’s why I speak about what social coverage is actually in line with the wants of its inhabitants. Let’s assume, for instance, within the gypsies, that amongst their id options is mobility.” The filmmaker for a moment. And his tone goes up: “Let’s not overlook that they’ve been discriminated in opposition to on this nation for hundreds of years. There is an intergenerational downside that we’ve to face and cease.”
The filmmaker wants to end the interview of City without sleep, That will be released in Spanish Salas in September, speaking of the community. “We should put ourselves within the place of the opposite,” he starts. “And not only in the economic. They lack the electricity supply, access to culture. The cane has been emptied of many needs. And I think we have returned something. City without sleep It is a collective fact. Of course, there is an aesthetic commitment, and nourishes a look, that of the filmmaker, but also feeds on what those two teenagers filmed. In this way the public sees how they look at their world and how they look at themselves. Suddenly, the screen explodes in colors. There is also the Cañada Real. “
https://elpais.com/cultura/2025-05-20/ciudad-sin-sueno-la-canada-real-grita-orgullosa-y-se-muestra-en-el-festival-de-cannes.html