The movie for which Leonardo DiCaprio needed to eat the uncooked bison liver | EUROtoday

LA scene made the planet shiver. And not simply the cinema planet. A trapper, alone within the face of a greater than hostile nature, is shredded by a grizzly face digicam. An countless, so real looking sequence that you’d suppose you may really feel the breath of the beast, the lacerations of its claws, the transferring terror of Leonardo DiCaprio, alias Hugh Glass. The returning From Alejandro Gonzalez Iñarritu, launched in 2015, is above all a shock, a cinema expertise as we hadn’t had for a very long time.

The movie is partially tailored from the novel The ghost by Michael Punke, revealed in 2002, which depends on the story, true, of the trapper Hugh Glass. In 1823, left for lifeless in southern Dakota, after being attacked by a Grizzly, he managed, with out weapons, to return to Fort Kiowa, 300 kilometers, in simply six weeks.

The digital bear of The returning

When it comes out, press articles and studies are growing to decipher the horrific scene, the start line for this epic story. But no, we aren’t right here dealing with a (notably properly) drawn bear, even when it means disappointing those that already imagined Leonardo DiCaprio risking his pores and skin like bravache Tom Cruise in his most harmful waterfalls for the franchise of Mission: Impossible.Read too “The Revenant”: the bear scene and DiCaprio decoded by its creator

But the Mexican Alejandro Gonzalez Iñarritu, anxious to boost the mayonnaise, lengthy maintains the thriller – a superb advertising and marketing argument -, having enjoyable blurring the tracks. Until Dennis Muren, Pope of particular results and 9 Oscars in his pocket (who says higher?), Lifted on the time the veil on his manufacturing secrets and techniques: “It is not a real bear, it is a pure digital creation”, he confesses in The pop level. And what a creation!

“Trying to return a realistic bear, it has never been done before,” he says. To obtain this, the groups of his firm Ilm have watched hours of movies, dissected every motion of the animal to higher management its scale. Alejandro Gonzalez Iñárritu lets nothing cross: “Put more mud on his lips”, “it looks like he is thinking, he should not think,” he says to the animators, all the time looking out for the slightest false notice.

But The returning isn’t solely a technical feat. It can be, and above all, a dantesque taking pictures. Alejandro Iñarritu, already topped with the success of Birdmanneeds to guess the whole lot on authenticity. He due to this fact needs to shoot the movie in chronological order, regardless of the 7 million {dollars} in addition-the characteristic movie will lastly value 135 million and can report 532. No query both to movie within the studio, route the icy forests of Canada and Argentina, to commune with the weather. The key: Hours of labor for a number of seconds on the display, to seize right here a chic twilight, there captive ice sheets of ice.

Leonardo DiCaprio, himself, spares his ache for this survival movie (the survival is in vogue in Hollywood), thus sustaining the legend of the higher boutique actor. To embody Hugh Glass, we swear, he ate uncooked bison liver, slept in animal carcasses, preventing in opposition to temperatures bordering on-30 ° C.

Tensions and references of the tray

It is rumored that a number of members of the staff have thrown within the towel, exhausted by the harshness of the filming circumstances and the rigid intransigence of the director. “I have nothing to hide. There were problems, but none of which I am ashamed. As a director, if I see that a violin plays false, I must remove it from the orchestra, “is content material to reply the principal.

However, some criticisms rise when it went as much as the top, recalling that this story has already given rise to a movie, The wilder convoy (Man within the Wilderness) by Richard C. Sarafian, in 1971, with Richard Harris, and that The returning Walk on the flowerbeds already surveyed by a Sydney Pollack which, in 1972, had supplied a task of the lonely trapper, Jeremiah Johnson, to Robert Redford, undisputed star of the time.

But The Revenant, harsh and very violent, Impose new requirements by entrusting Dame Nature the main position for 156 minutes, which take the time to savor the lengthy silences and breathe our breath. All beneath the management of the chief of genius Emmanuel Lubezki (Gravity, Birdman).

To uncover



The kangaroo of the day

Answer

The movie, which advantages from a casting all the time as much as the duty (let’s not overlook the efficiency of Tom Hardy) will likely be applauded on the worldwide scene and can win three main Oscars, greatest director, greatest pictures and above all greatest actor for Leonardo DiCaprio, lastly topped after being shunned by the academy.

The Revenant, D’Alejandro Gonzalez Iñarritu (United States, 2015). 2 h 36. With Leonardo DiCaprio, Tom Hardy, Will Poulter, Domhnall Gleeson, Forrest Goodluck, Paul Anderson, Lukas Haas. Diffusion on Sunday May 25, at 9 p.m., on Arte.