No one says the “Joe” as Amaia Romero. So candy and epatantes. “Joe, how good we are having.” Nor are we discovered within the nationwide panorama to somebody who being so younger (26 years) reveals such a complete artist profile. The Navarra dazzled final night time on the Tomavistas Festival in Madrid. They have been 75 minutes exploited, the place Amaia confirmed her extensive number of qualities: singer, dancer, piano instrumentalist and daring with the harp and guitar; But, above all, an artist who workouts a torrential scenic area with out forcing, with a wrongful naturalness.
There was the immense Navarra within the pageant, extra condensed, of the magical live shows supplied in February in Barcelona and Madrid. The recipe was the identical: a plastic proposal pizpireta and chic, a group of notable songs and a carefree perspective dotted with its uncompromising phrases. It is now not what the Navarra says, however how he says it, as if as a substitute of going through 5,000 individuals (half entry final night time) he’s speaking to a pal on the most of the night time on the step of the again door of a garito.

The live performance started with Tocotó (“Run, run, horse”) and interpreted principally themes of his last jumped, If I open my eyes, it isn’t actual, Your third album. They fell Magic in Benidorm, M.A.P.S., Auxiliar… in fact I’ve a thought, The music he performed within the well-known Prenovideño program of The revolt. It didn’t miss Saints that I painted you, The model that has urged the planets. Look that the theme of the Granada is basic, as a result of Amaia’s model threatens to beat it. He sang it perched on the very best platform, tied to the foot of micro, with the accompaniment of violin and guitar. She shuddered, the general public was excited.
Amaia transmits from the stage an more and more robust sensation of inventive ambition that no person is aware of how far you may go. The younger performer has invented a scenic self that has quite a bit to do along with her self to stroll round the home. This has benefit, since most artists stay with two personalities, which fits out to purchase the bread and the one which goes as much as the platform to be worshiped by 1000’s of followers. She isn’t: it’s the identical all over the place. If the harp is nailed to the clavicle, I stated it; If one thing defies, it additionally reveals it. “My mother these shoes, I’m going to end up bloody,” he lamented on his heel footwear. On her tight costume, he stated, whereas stretching it a bit: “That I was staying in balls …”. Even the well-known “the one who is not placed, to be placed and the parrot” of Tierno Galván for a “now to put a little drunky and enjoy”.

In the ultimate half attacked I get pink, of Papa Levante, to which he confers a drama that has taken himself out of the bowels. The live performance resulted in fashion with Welcome to the present. They left her and her 5 musicians dancing a samba who clicks as a celebration finish. He noticed them soar and hug in intimacy, at the back of the stage. They have been conscious that that they had supplied a splendid present.
Amaia was the star of the primary day (of the three of which consists) of the ninth version of the Tomavistas Festival, held within the Magic Fund of Madrid. An openness with apparent feminine prominence, with artists comparable to Xenia, Ganges, Jimena Amarillo, María José Llergo, Judeline, Amaia or Mala Rodríguez, amongst others. Young ladies (dangerous additionally at 46) who see the brand new and stimulating Spanish pop. The pageant provides three levels and the 2 important alternate, so there is no such thing as a place for painful overlaps.
After the Navarra live performance, that of: “You don’t get your genius, I kill you. / If you’re fat, I leave it skinny. / If you’re skinny, take something away. pa’ Do something healthy. / Even that does not take that, here there is light. / I have a deal, mine pa’ My bag. ”In this manner Mala Rodríguez started with I’ve a deal, of his first album, Iberian luxurious. The 25 years of that first work is celebrating the Sevillian, which was the emergence of a 20 -year -old lady in a scene Hip hoping Spanish principally male (CPV, rapists of the verse, quite a lot of boy) and with an inclination to fortify in his area of interest. Maria managed to transcend past the rapper limits because of some vibrant letters the place she brazenly instructed her life, which regardless of her younger age had already suffered from fatigue and anguish, and for a voice and a transparent and road perspective of the actual ones.
It is a regulation to acknowledge that earlier than Lola Indigo, Bad Gyal, the Zowi or Rosalia there was Maria, rapping issues like: “Do you doubt me? Yes you know little. /If I say this, it’s this, not the other”, some verses of Wobble He interpreted final night time as he perreated on the DJ desk and invited the general public to bounce on stage.
Actually, María Rodríguez’s songs are an unnegotiable declaration of independence. A feminine emancipation within the first place, but additionally that of an individual who has seen the ears to the wolf on a couple of event and who has determined that the one factor that can face life with ensures is the care of itself. Last night time these verses of their very own individual sounded The cook dinner: “Pulge and sand, rap without lights. / Ele! They give me what they take me away. Dressed in a short black model full of silver and fringes, the Sevillian was powerful, with flow, To taste on stage, rapping with that challenging tone and macarra that has marked his career.
The pageant has two different days left, as we speak Friday and tomorrow Saturday. Entries are nonetheless to take pleasure in bands comparable to Caribau, Love of Lesbian, Doves, Romy, Mogwai or Biznaga.
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