what’s Jean-Paul Rouve value in “Le Bourgeois gentilhomme”? | EUROtoday

Qhen Jeff Tuche meets Monsieur Jourdain… By slipping into the costume of the Bourgeois gentleman on the stage of the Théâtre Antoine* in Paris, Jean-Paul Rouve was inevitably uncovered to this type of shortcuts from the critics.

And for good motive! The parallels between the collection of movies that includes a contemporary Fenouillard household and Molière’s basic are apparent. The first level in widespread between the 2 is their success. The Bouzolles clan has introduced collectively greater than 17 million spectators in theaters since 2011. The bourgeois gentleman has been carried out greater than 1,700 occasions on the Comédie-Française alone.

Another parallel may be established between these works. The 5 episodes of the colourful Tuche saga, which recounts the adventures of a modest household having instantly modified their standing by successful a jackpot within the lottery, and the plot of the comedy-ballet, created on October 14, 1670 on the Château de Chambord, have the identical comedian spring. This lies within the confrontation of characters who’re socially opposed to one another. To put it bluntly: it’s the staging of a “clash of civilizations” between… rednecks and snobs.

Two eras, the identical social caricature

The humorous character of the heroes, of Molière as of Philippe Mechelen, is because of the double caricature of the social circles that they signify. On the one hand, easy individuals whose egos have swelled with their success; on the opposite, a inflexible elite which harbors severe prejudices in direction of those that don’t share its codes. An enterprise to rehabilitate the “working classes”, portrayed as naive however filled with “common sense”, uncovered to the hostility of insensitive and stuck-up elites, the Tuche collection has attracted an viewers all of the bigger as a result of the subtext of those movies corresponds, roughly, to the discourse in vogue within the political teams which agitate probably the most excessive edges of the chessboard.

The bourgeois gentleman additionally affords class defectors a straightforward solution to mock the well-off who reject them. In doing so, this piece helped to neutralize the bitter feeling that the “new rich” might expertise, satisfied of renouncing what constitutes their “identity” by having to repeat “people of quality”.

By reprising the function of Monsieur Jourdain, Jean-Paul Rouve was undoubtedly conscious that he can be reminded of the character of Jeff Tuche. This is why the actor deploys, from the opening scene, great vitality to maintain at bay this character who sticks to him. But with out fully denying this distant alter ego.

The actor succeeds on this balancing act by summoning one other icon of common cinema: the character of Don Salluste in Madness of grandeur. Wearing a treasured night time cap and a silky dressing robe which irresistibly recall the shimmering costume of Louis de Funès on this movie by Gérard Oury, the previous Robin Hood clearly signifies that he’s following within the footsteps of this immense actor who’s as snug in trouper farces as in basic roles.

ALSO READ The final thriller of Molière: the place (and when) was he born?The route by Jérémie Lippmann underlines the trait. Sparkling decor, all stucco and flashy chandeliers, Monsieur Jourdain’s world is as bling-bling as you want. His appearing route pushes the supporting roles to extra. And they sparkle round Jean-Paul Rouve. Which avoids histrionics and demonstrates, quite the opposite, a outstanding finesse of interpretation in the important thing scenes of the play.

He thus shows extra candor than malice when he welcomes his philosophy grasp (admirable Jean-Louis Barcelona) who introduces him to the distinction between prose and poetry and teaches him methods to pronounce vowels. Rouve equally instills extra innocence than trickery within the graces he grants to the person he takes to be the ambassador of the Grand Turk (wonderful Joseph Olivennes) and to whom he’ll give the hand of his daughter Lucile (fantastic Joséphine Meunier).

Faced with a Machiavellian Dorante (Michaël Cohen, toxic appropriately, as an unscrupulous rely) and an intriguing Italian marquise (impeccable Eléonora Galasso), manipulated by Cléonte’s valet, the courageous Covielle (irresistible Hugues Delamarlière), this Jourdain wins the sympathy of the general public all of the extra shortly as he thus relieves himself of all cookery.

An distinctive Mr. Jourdain

Sometimes dazed, typically bewildered, overcome by the identical temper swings as a capricious teenager, his character manages, on this manner, to be extra endearing than the one proposed by Michel Serrault, filled with vainness, in one other nice Bourgeois Gentlemanthat of the 1968 TV movie made for public tv by Pierre Badel.

It would not matter that the “Touche Tuche” reappears within the second half of the present within the type of a frizzy blonde wig {that a} stylist, straight out of the collection Emily in Parisadvises him to put on. Faced with the acerbic remarks of his spouse (performed with grace by Marie Parouty), the mockery of the maid Nicole (Audrey Langle with the false air of Ariane Ascaride) or the tender outbursts of his daughter, Jean-Paul Rouve finds a solution to create an distinctive Monsieur Jourdain.

If the actor wins the piece with bravery, it’s as a result of he makes his character a person who decides to take a tangent… In reality, the naive marvel of his character leads him to steadily disconnect from all actuality. In doing so, he takes the viewers far-off with him, right into a world of daydreams from which we do not essentially wish to return.

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Answer

Embraced by the music of Lully which accompanies scenes danced by Florent Operto, Julien Boclé and Taylor Chateau, in hip-hop fashion, the spectators now not assume, at that second, of the Bouzolles clan in any respect.

* The Bourgeois Gentlemandirected by Jérémie Lippmann assisted by Sarah Gellé and Sarah Recht. With Jean-Louis Barcelona, ​​Julien Boclé, Taylor Chateau, Michaël Cohen, Hugues Delamarlière, Eleonora Galasso, Audrey Langle, Joséphine Meunier, Joseph Olivennes, Florent Operto, Marie Parisot, Marie Parouty, Héloïse Vellard and Jean-Paul Rouve.