When Santiago Ramón y Cajal presents his neuronal idea and breaks with the reticularism proposed by Camilo Golgi, what Cajal really does is nothing apart from taking the trail indicated by the artistic thoughts, penetrating strongly into uncertainty to attach hypotheses with out departing from the scientific methodology. In different phrases: what Cajal was doing was decoding the sport of symbols that science contemplates in relation to defining the world.
The irrational thoughts, the one which makes use of the identical language as mythology, is put into motion at each step of the scientific methodology. Therefore, we discover a sure connection between the Tarot arcana and every stage of mentioned methodology. The individual answerable for exhibiting us such a curious match is a person of science. His title is Guglielmo Foffani (Milan 1977) and he has a doctorate in bioengineering with greater than 100 scientific articles printed. In his guide, Tarot and science (Bauplan) tells us, in an instructive means, the “unlikely mythological parallelism” that exists between science and the key arcana of the Tarot.
Far from esotericism, Foffani teaches us how every mixture of playing cards is recognized with basic points of the matter, revealing to us the “symbolic resonance” of the aforementioned matter. The depth of this work, in simply over 100 pages, is an instance of how a well-liked science textual content goes past the material of the analytical thoughts to look within the “holographic mirror of the unconscious” and begin dancing with our most artistic facet.
Thus, within the first card, that of The Magician, a determine seems that reveals us the devices that will probably be used for his methods, and that is the place Camilo Golgi comes into play who, taking on the thought of the terminal reticulum and enhancing it, leaves it on the desk to Ramón y Cajal, who picks it up, figuring out himself with the cardboard that represents The Force and which represents a brand new path, based mostly on a deep instinct.
Thus, Cajal describes the nervous branches and their terminals as a circuit the place nothing seems dispersed, however the whole lot is intimately linked by particular person cells, known as neurons, separated from one another. At the mobile degree, Foffani reminds us, the idea of communication indicated by Cajal is what in science is named a “threshold” course of. This course of may also happen within the archetypal dimension and is ready in movement by the second card, represented by The High Priestess, carrying it out with the devices of The Magician.
The results of the play is “the creative outburst” of The Empress, represented on card quantity three. In this manner, Foffani weaves a community of connections between the completely different figures, following the steps of a rational methodology that takes the creativity of The Empress to its highest dimension with the assistance of the anonymous arcane.
Letter by card, determine by determine, Foffani follows the steps of the scientific methodology, executing a selected dance the place the Tarot invitations us to know sure points of science after which present us its sport. A novel and really curious work.
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