Hans van Manen, essentially the most well-known Dutch choreographer and ballet grasp of his technology, who died on December 17 on the age of 93, leaves a legacy of greater than 150 works that crossed the borders of the Netherlands. His loss of life was introduced this Wednesday by the National Opera and Ballet, and he leaves a deep mark on modern dance with a method of nice expressive energy and stuffed with eroticism. With a profession that spanned six many years, his works are a part of the repertoire of greater than 100 international corporations and are carried out around the globe. He additionally created for tv and beloved the dance movies of American artists Fred Astaire and Ginger Rogers.
Born in 1932 in what’s now the municipality of Amstelveen, close to Amsterdam-Schiphol airport, Van Manen studied with the dancer and choreographer of Lithuanian origin Sonia Gaskell. He later joined the Netherlands Opera Ballet, and the Ballets de Paris, led by maestro Roland Petit. In 1955, his first choreography was titled Olé Olé, the Margarita. With the third, known as Party oriented, obtained the State Choreography Award. His type was easy and exact, but in addition basic and tutorial, and targeted on human relationships with out resorting to extra.
Van Manen was creative director of the Nederlands Dans Theater, and later its resident choreographer. This final work was carried out within the Het Nationale Ballet, two of essentially the most prestigious ensembles within the Netherlands. Its dancers and people of a 3rd, Introdans, are thought of the guardians of its repertoire, carried out in 100 worldwide corporations. Among them, the Paris Opera Ballet, the San Francisco Ballet, the Stuttgart Ballet, the Vienna State Ballet, the Houston Ballet, or the National Ballet of Japan. Throughout his profession he additionally labored with well-known dancers, comparable to Rudolf Nureyev or Natalia Makarova, or the Spanish Sol Léon.
In 2021, the choreographer created the Hans van Manen Foundation, and granted custody of his work to Het Nationale Ballet. The copyright, nevertheless, is owned by her husband, Henk van Dijk. In addition to being a choreographer, Van Manen was a photographer who exhibited internationally. In 2024 he determined to donate his total photographic archive to the Rijksmuseum in Amsterdam. In 1988, he accepted a unprecedented professorship on the Dutch Radboud University in Nijmegen, saying this: “Dance expresses dance and nothing more.” But Ted Brandsen, director of the National Ballet, has now mentioned that his artwork “will live on in the bodies of the dancers who perform his work and in the eyes of countless spectators.”
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