Christmas movie on the primary: “The Fairy Tale of Swan Lake” | EUROtoday

She comes out of the lake, transforms from a swan into a girl, shakes, stretches and stretches, exams the pliability of her human limbs and all of the sudden glides right into a swish dance. At this level within the fairytale movie that ARD broadcasts at Christmas, the unique, Tchaikovsky’s “Swan Lake,” emerges very clearly.

Men who steal girls’s feathers

Here as there, it is in regards to the ambivalence of these legendary creatures between people and animals, particularly between girls and swan, and Tchaikovsky, who explored the dance potential of this particular connection, was a part of an extended custom. It may be discovered within the fairy story heritage of many cultures and tells of males who fall in love with chook girls, whose feathers they steal with the intention to drive them to share life with them. Fortunately, this often ends with the females finally getting their feathers again and flying away.

At first look, issues look totally different in “The Fairy Tale of Swan Lake”. Because Odette, performed by Samirah Breuer, owes her twin nature to not her nature, however to the curse of the evil sorcerer Redbeard (Fritz Karl) and desires nothing greater than to be totally human once more and to have the ability to shed her swan’s costume not solely at evening – she notably craves human meals, and when Prince Friedrich, who Riccardo Campione often performs with a distant smile, realizes this, he helps his wooing of Odette strong culinary arguments. He is helped by the clever cook dinner Otto, who proclaims: “There is no recipe for love!” In view of the princess fortunately feasting and changing into more and more occupied with Friedrich, one does not need to signal that.

The prince is taken by Odette’s swan-like nature

However, the script by Silja Clemens and Barbara Miersch lays down one other path. Even earlier than Friedrich meets Odette in her human kind, he seems longingly out of the fortress window at birds flying by. And as a substitute of complying together with his mom’s needs – “Friedrich, it’s about your future!” – to conform and look for a girl to proceed the dynasty, he designs flying machines on paper. He desires of flying, and it could be that it’s Odette’s swan-like nature that makes her so engaging to him.

In this movie directed by Christian Theede, there are additionally loud tones like these: Friedrich is surrounded by two excited mates who’re chargeable for the burlesque and likewise for verbally transporting the fabric, which is visually vaguely set within the Tchaikovsky period, into the current, even perhaps into the Seventies. “When is the party going to start?” asks the daredevil Toni, and his abstract of Friedrich’s love story is: “There’s a hot bride waiting for you in the castle, and you’d rather have a swan?”

He truly needs to. And what each particular person truly needs is what this movie is about in virtually each scene. It begins with the photographs of younger girls that Friedrich’s mom piles up in entrance of him and from which he has to decide on those he needs to ask to the social gathering – the sliding of the photographs left and proper is an apparent reference to a relationship platform. It continues with the magician’s many makes an attempt to get his daughter Odile into the prince’s arms as a substitute of Odette, and culminates in her final exit from this plot. She does not need to be her sister’s double, she says, however relatively herself. And when her father insists, she properly replies that you simply “can’t force love” – ​​”you should know that best.”

That’s how it’s, Redbeard’s machinations are rooted in dissatisfied love for Odette’s deceased mom. So many issues that stay pleasantly obscure in Tchaikovsky’s ballet are short-circuited right here and all the pieces is positioned underneath the rubric of affection. But in case you become involved with it, you will see a reasonably, fully innocent fairy story movie.

The fairy story of Swan Lake runs on Christmas Day, December twenty fifth, at 2:20 p.m. on Erste and within the ARD media library.

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