The essayist Raphaël Llorca, who printed, on December 17, an extended investigation dedicated to Patrick Sébastien, “The “Grand Bluff”: politics of Patrick Sébastien”, within the journal The Great Continentbelieves that the singer embodies an inflection of populism, along with his artisanal and virtually anachronistic system, going towards the grain of “engineers of chaos” described by Giuliano da Empoli, and the invention of a type of “festive clearance”.
The singer and former tv host Patrick Sébastien has simply introduced the creation of a citizen motion entitled “That’s enough”, in an effort to affect the presidential election of 2027. Should we take it critically?
To perceive the emergence of political objects of this sort, we should struggle towards two symmetrical temptations: brush apart the initiative as an epiphenomenon doomed to vanish or, conversely, give it an extreme scope. I advocate treating it as a political symptom, no matter its possibilities of success. “Enough” says one thing concerning the want for brand spanking new intermediaries. We are in a novel political second, the place energy seems absent – absorbed by the seek for parliamentary stability and mobilized by the vote on the price range. In this context, the wants and calls for that come up from the nation are struggling to search out an outlet.
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https://www.lemonde.fr/politique/article/2026/01/02/raphael-llorca-patrick-sebastien-materialise-une-mutation-du-logiciel-populiste_6660309_823448.html