What is erotomania? Does romantic love make sense? María Rodés tells it and sings it | Culture | EUROtoday

Here is an album that provides far more than music: nothing lower than a mirrored image on the appropriateness of holding on to romantic love. A subject that’s at present on the desk with a line of thought that challenges us to be, greater than ever, autonomous, to not depend upon anybody, not even in love. Maria Rodés enters this backyard with class and a commendable palette of kinds that despises the fastened gear. In What occurs to me, As the album is known as, Rodés punctuates his tales with rumba, digital dance music, Latin rhythms, Africanism and even reggaeton touches. A self-conscious perspective that matches with some of the particular artists of Spanish pop.

Maria Rodés’s profession brims with singularity: it’s ineffective to label her, as a result of wherever she decides to get entangled, her model will all the time be that of Maria Rodés. Born in Barcelona 39 years in the past, she has eight full-length albums since her debut in 2009. She has recorded rancheras, cumbias, coplas, pop indie…He has recorded monographic albums about witches (Lilith) or about astronomy (Ecliptic), and has starred in duets with Nacho Vegas, Albert Pla, Coque Malla, La Estrella de David, Ximena Sariñana and The New Raemon. His tastes are limitless (and there’ll all the time be a brand new discovery), from the Venezuelan llanera music of Simón Díaz to indie hippy by Devendra Banhart. He has made variations of songs popularized by Franco Battiato, Los Chunguitos and Concha Piquer. “I like to play different styles. what happens to me I collect the most contemporary sound since I started my career. I wanted to play with him autotune, with cliché elements of current music. Just as I made an album of couplets, now it seemed fun to me to record one attached to the urban aesthetic,” says Rodés in an interview with this newspaper held in Madrid, the place he lived for seven years, however left to return to his metropolis, Barcelona.

Rodés has been making a dwelling from music since 2017, which has allowed him to not resort to his plan B, since he studied two levels: Audiovisual Communication and Psychology. Psychological data has helped him create the lyrics for this new album. “I am neither for nor against romantic love,” he explains, “but it is true that there is a tendency to denigrate romantic love; there is something like: don’t depend on anyone, take care of yourself, a very pro-emotional autonomy thing. And that’s fine, but let’s not go overboard with this promotion of individualism. It’s okay to depend a little, you have to take that risk, it’s part of relationships, of bonds with others.”

To perform her investigation, the singer discovered the right motivation in an album of household images that she present in her mother and father’ home: a picture of her at 12 years outdated holding onto a stick and in a summer season surroundings. “That photo suited me a lot, because it is at that time when you live a very idealized love. I fell in love with Leonardo DiCaprio from Titanic. I shared the same romantic loves with the girls of my generation: DiCaprio, Brad Pitt, Johnny Depp. You generate loving bonds with these characters that you do not know and will never meet. And you live it very intensely.”

And here a term called “erotomania” arises, a psychological disorder in which the affected person experiences love stories without the need for it to be reciprocated. The artist explains: “Recording the album in regards to the witches, I found Lidia de Cadaqués, daughter of the final witch of Cadaqués. She was a fishmonger, from an excellent humble household. Then the author Eugenio d’Ors arrived on the town. She falls head over heels in love with him. D’Ors stays for a number of days and leaves, however Lidia in her head thinks that he has additionally fallen in love together with her. Lidia was going by way of the city saying this and Dalí, who was additionally in Cadaqués, stayed loopy along with his inside logic of justifying all of this author’s actions as loving messages in the direction of her. It appeared to me an exaggeration of what all of us do once we fall in love. It’s like a mirror: this idealized love of erotomania is just not so removed from that woman who fell in love with Brad Pitt.

within the tune location, Rodés satirizes a person’s profile. “Because you are bad, dirty and lazy, you look good, but you are bad. / Because without your mother you are worthless.” The singer smiles when explaining it: “He is an archetype of a Mediterranean man, immature, very entangled, and who seeks to replace the mother with a partner.” Maybe some will acknowledge one another. Helping within the activity of psychoanalyzing the characters that seem on the album are the voices of Soleá Morente, La Bien Querida and Rosario La Tremendita or the synthesizers of Bronquio (the musician who recorded with Rocío Márquez that magnificent Third heaven).

Rodés tells one thing he noticed not too long ago whereas visiting Machu Picchu that connects with the intentions of what occurs to mean album that he presents on February 20 in Clamores (Madrid) and on the twenty fifth of the identical month in Apolo (Barcelona): “Many people took selfies before looking at the landscape. I found it tremendous and significant of the trend of the times. I have the feeling that we are very much in the center all the time, as if the world were a decoration of ourselves. The same thing happens with couples, who become a bit of consumption, something that is part of my self. And that is one of the traits of narcissism, that you stop seeing the other because they become an extension of yourself. And that is where empathy is lost. Be careful with the issue of pro-autonomy and not depending on anyone, because a little depending on the person you love is not bad.

One of the keys to the Rodés style must be found in his unique voice, capable of transmitting tons of tenderness without falling into the mellifluous. “I do not come from a household surroundings the place hugs, hugs and ‘I really like you a lot’ abound. Emotionalism has by no means been proven a lot in my household. I really feel that I channel that tender half that I have not been in a position to develop by way of singing.” And it ends with a phrase that her father advised her and that she thought was correct and delightful: “Daughter, you manage to convey sweetness and warmth with your singing, without being corny.”