The crunching of the skis, the tense silence – that was the Olympics. Now a quiet buzzing noise accompanies each competitors. The pictures are stronger than ever. But the brand new sound of the video games additionally tells of the top of a small, stunning uncertainty.
I just like the sound of Olympia. Always. Breathing whereas cross-country snowboarding. The crunching of the skis. The tense silence earlier than the shot in biathlon. Olympia had its personal, real sound. But this time one thing is new. And I’ve to get used to that.
There’s a buzz concerning the races, whether or not it is huge air, downhill or luge. Instead of hibernation, I immediately have vuvuzelas from the 2010 World Cup in South Africa in my ears once more. Quiet. But there.
I hear the brand new digicam drones that accompany the athletes dwell. The pictures are robust. Closer, quicker, extra fashionable. But the sound? He’s annoying. It’s like I’m always having to shoo away annoying biting flies in the midst of winter.
Of course progress is sweet. Without him there can be no HD, no sluggish movement, no nice TV moments. But progress additionally has penalties. If drones had existed earlier than, a legendary query in TV historical past would by no means have been requested: “Where is Behle?” He would have been seen instantly. From above. In 4K. Efficient – however not legendary.
It was humanizing. Now it is buzzing
Maybe that is what bothers me. Not the sound of the issues alone. But the sensation that nothing may be misplaced – or stunned.
In the previous, the Olympics additionally had empty areas. Seconds or moderately minutes spent in search of Behle. In which commentators puzzled. In which the viewers was excited as a result of they did not see all the pieces. These little insecurities have been a part of it. They made the game thrilling. It was humanizing. Now it is buzzing.
Today even the air above the route appears deliberate. Every curve, each bounce, each house straight is monitored, measured and circled. The drone is the image of a time by which there must be no extra probability. It floats above all the pieces – technically good, journalistically understandable, dramaturgically environment friendly. It feels like there’s a swarm of bees close by.
Sometimes simply the sound of skis on snow is sufficient for me.
https://www.welt.de/sport/olympia/article698c7b0df4d0b8d94ca18c91/olympia-das-nervigste-geraeusch-der-winterspiele.html