The former bandmasters of the Dresden courtroom orchestra apparently had a desire for village life. Almost thirty years earlier than Richard Wagner went on a artistic trip to the Schäfersche Gut in Graupa, the place as a substitute of stress-free he busily wrote “Lohengrin,” Carl Maria von Weber settled in Hosterwitz, a little bit nearer to the town. The composer, pianist, and courtroom music director in Dresden for the final decade of his all-too-short life, who was born in Eutin 240 years in the past, moved right into a small property there in the summertime, which is now thought of Weber’s solely residence used as a museum. It can be one of many oldest residential buildings in immediately’s Dresden metropolis space.
The precise origins of the previous winemaker’s home, which later underwent a number of additions and renovations, are nonetheless obscure. The basis partitions and half-timbering most likely date from the late 1660s. So it is no surprise that the ravages of time are taking their toll on the construction of the constructing. A singular cultural monument, repeatedly loudly praised by Weber: “Oh Hosterwitz, oh peace,” he famous in his diary in 1823.
Even Richard Wagner was grateful to him
According to historic illustrations, the idyll should have been indescribable. Vineyards throughout, a small backyard in entrance of the home, later a nicely and a coach home have been added. As his wealth grew, the musician purchased a carriage and two horses named Hans and Grete. That should have been an unconventional life, for Weber’s birthday there was even an animal parade within the backyard, with Schnuff the monkey proper within the center. A spot of inspiration not just for the composer himself.
In the 1830s, only a few years after Weber’s dying in 1826, Hosterwitz was thought of a memorial to honor the grasp who died all too early, as will be seen from the surviving visitor e-book. One entry, nonetheless, is lacking, regrets museum director Romy Donath, that of the later courtroom music director Richard Wagner. He was a visitor right here a number of occasions at a really younger age, later additionally along with his spouse Cosima, and in a uncommon case of recognition of different folks’s achievements he said: “Weber was my father.” As a toddler, he appreciated to name him “Humpelmarie” with little disrespect, however in 1844 he initiated the switch of Weber’s physique from London to Dresden’s Old Catholic Cemetery and gave a posthumous eulogy.
The home, which has lengthy been enclosed by neighboring properties, was imagined to be reopened simply in Weber’s yr 2026, however the renovation work is simply anticipated to start this yr. After the renovation was accomplished on time for the one hundred and fiftieth anniversary of his dying in 1976, it was time once more. Cracks within the partitions and the beams of the framework, which have been knocked down round 360 years in the past, are inflicting static issues. The query of whether or not the present exterior plaster will probably be completely eliminated and the constructing’s historical past will probably be given its due and the beams will probably be revealed once more is simply as open as whether or not the historic layers of paint within the inside will probably be uncovered. Parts of the home have been nonetheless inhabited till 2005; a lot of the rooms have been used for the museum, which was arrange in 1957 and has hardly modified since then. For trendy romantics, weddings have been held till the very finish on this distinctive atmosphere, which Weber valued a lot for his leisure.
As quickly because the monument preservation authorities have accomplished their investigations, craftsmen will probably be accountable for securing the architectural gem for the long run. The most pressing measure is to revive stability by no less than partially changing the framework, ceiling beams and roof construction. But immediately’s hearth safety should even be taken into consideration by way of new electrical programs and protected escape routes. So far there was a scarcity of cash for this, however 1.4 million euros from federal funds have now been accepted for the whole prices, which have been initially estimated at 3.7 million euros and secured by the town’s personal funds of two.2 million euros in addition to extra funding from the German Foundation for Monument Protection.
Given the inflationary worth development, one other fundraising marketing campaign would definitely be advisable. Interested events might be gained in summer season and autumn when the museum’s backyard is open. However, it stays to be seen whether or not completion and reopening with a contemporary museum idea will be achieved by the top of 2028. It is no less than hopeful that Saxony’s state capital has acknowledged that what Mozart means to Dresden’s sister metropolis Salzburg is Weber and Wagner within the Elbe Valley. At greatest Richard Strauss, for whom particular trains as soon as rolled from Berlin to the Semperoper for his “Rosenkavalier”. At least Weber is within the title of this yr’s Elbhangfest: “Rock the Weber!” it says on the finish of June.
In the 2 hundredth yr of Weber’s dying, Dresden has issued the motto “Discover Romanticism” and needs to narrate the composer to Caspar David Friedrich and the creative all-rounder ETA Hoffmann. As director of the now closed Weber web site and the genuine Kügelgen House, the museum of Dresden Romanticism that’s harking back to the painter Gerhard von Kügelgen, Romy Donath values historic connections. The musicologist with a doctorate is aware of what she is speaking about, has sensible expertise and has sung Ännchen in Weber’s “Freischütz” on quite a few phases. Preferably on the close by Rathen Rock Stage, a spot with a direct connection to the creation of this opera. The Wolfsschlucht scene is definitely stated to have been impressed by native circumstances. Mystical, ghostly, simply how the sandstone cliffs subsequent to the Elbe appear.
In this commemorative yr, Weber’s locations of life and work will probably be made accessible to vacationers with specifically designed walks; the exhibition “Weber and the German Opera” within the Saxon State and University Library is meant to level out that there’s way more musical theater than “Euryanthe”, “Oberon” and “Freischütz”. The latter, in fact, stays extraordinarily necessary for Dresden: This first main opera of the Romantic period was the final work carried out earlier than the Semperoper was destroyed in February 1945 and the primary with which the home reopened in 1985. However, it was premiered in 1821 within the Berlin Schauspielhaus on Gendarmenmarkt.
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