Dedicating an album to like and never brazenly reviling romantic love is nearly countercultural at this time. Maria Rodés has carried out it in what occurs to mean album the place emotions rise and fall in line with the emotional winds, and which he offered reside with that voice and method of doing that mixes heat, softness and dedication. It has this fashion of claiming that if we go a bit of additional it may even appear corny, a territory it doesn’t enter into since a lot of the sweetness that surrounds us continues to be a panorama with out edges, though not sappy. And in these landscapes she finds her house, the place nothing is pressured and the whole lot is so naturally felt that there isn’t any trace of false tenderness or sentimentality.
It was evident on the first alternative, when presenting one of many songs, Remember you, that exactly don’t belong to their new album. He defined that, on the age of 13 – the quilt of his new work is his picture at that age -, he had his old flame (other than the fantasies with the Hollywood stars of the second), and about that love he wrote: “I am going to love you like I have never loved.” 13 years outdated. Delicious show of romanticism and naivety.
Today Maria is nearly 40 years outdated and has a life that, like that of each individual, has had ups and downs. And in line with them, the musical formulation with which he explains his visions about love don’t adapt to a single fashion. It started with a mushy cadence bossa to light up that second of discovery of affection wherein the whole lot is blinding mild, The first time; however quickly I used to be within the fingers of the aromas of a bachata-tango to deal with that fixation on somebody who adheres to reminiscence even past what’s fascinating, with I consider you, reiterating the bachata, it’s extra evident in good boy, chronicle of a disappointment, when the one who has appeared worthy of affection is revealed to be a fiasco of an individual. This coming and going of rhythms and types formally match with the identical number of moods in that path of affection that wishes to be offered as easy, a present for Valentine’s Day and a smile that is still like a banner, however like the whole lot that means dedication it has its curves, a few of them very closed.
The presentation of the live performance was primarily based on simplicity, the identical with which Maria sang. A guitarist and an instrumentalist to accompany with bases, results and samplers They had been sufficient. They had been joined by some visitors, particularly Albert Casas, to play the flamenco and copla quejío, as he did in I wish to management or within the rumbita what occurs to mea part of that tribute that Maria pays to the world of flamenco and copla, from which songs reminiscent of Feather feather or the I stick with you from Los Chunguitos. It is right here that Maria’s capability to impose her personal perspective is confirmed, alien to tragedy, emotional catharsis, cinematic and hanging emotions which are typically offered extra as spectacle than actuality.
Life isn’t a fireworks present, relatively a succession of little issues that collectively construct its greatness. Firecrackers with out rhythm. That’s why Maria barely raises the tone of her voice when she sings, and it may very well be resulting from tessitura, and her voice is that sort companion that even slips humor and closeness when she sang in Location –“You are bad, dirty and lazy, you are good, but you are bad” – in a pop surroundings of maximum softness, nearly a cacophonous sweetness with the aftertaste of managed resentment that the lyrics exude.
Likewise, nearly on the finish of the live performance, wherein there was additionally numerous pop, city sounds and mushy reggaeton, he sang a scrumptious samba, Let’s go to Brazil, wherein on the finish “someday we are all going to die” was repeated nearly like a mantra.
Joy and realism, a humorousness, a catalog of feelings with out directions to be used, with out anybody, on this case Maria Rodés, providing intimately what must be thought, felt or skilled. Freedom of thought begins with the top of the slogan, with the start of doubts about what’s taken with no consideration, softness can harm greater than the worst insult and love is a delicate materials in which there’s additionally room for humor and contradiction. Maria Rodés explains it completely in her concert events, candor with out squeamishness.
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