Manuel Vicent: lucid reminiscence at 90 years previous in entrance of a digital camera | Culture | EUROtoday

A crowd listened to Manuel Vicent (Villavieja, Castellón) in Malaga this Tuesday on the day the author celebrated his ninetieth birthday. It was at an occasion inside the Malaga Festival programme. He was within the room and on the display. At his aspect, sitting earlier than himself, the creator of Tram to Malvarrosa, his daughter Nora and in entrance of him his good friend Ana Belén, who had gone to share with the instructor of journalists, and of literature, one of the vital thrilling moments of his life as a author.

On the display he was alone, in search of himself, led within the distance by two of his associates, each filmmakers and writers: David Trueba and Luis Alegre. The latter, by the way in which, has made his final identify redundant: it looks like a pseudonym.

The two, Trueba and Alegre, satisfied Vicent to make a sitting extraordinary: he recorded his complete life, all the time trying on the clouds earlier than the digital camera that captured the whole lot. Half-body Vicent, in three classes that coated his complete life, from when he was a five-year-old baby to this second when he now not understands how he might be so alive. The documentary is titled Tomorrow I shall be comfortable.

It is. In the stalls, animated by Nora and Ana, and on the display. The crowd instantly joined Vicent’s combat towards the commonplace, in order that he appeared like one other spectator laughing, when he needed to chortle, at himself, or absorbed when the tales that got here to his head needed to do with very severe moments in life. The unhappy evocation of the demise of his son, the journalist – a colleague of this newspaper – Mauricio Vicent. There probably the most inside of the Vincent that nest in Manuel Vicent left a parenthesis within the air on the display. He ended that second as if he have been returning to that afternoon when, with darkish glasses, he mentioned goodbye that he by no means wished.

There have been moments of monumental public hilarity at this assembly. The eras during which he was a boy looking the interstices of his physique to return out comfortable and understanding himself weren’t celebrated by him alone: ​​the general public made what Manuel mentioned a celebration of pleasure. In certainly one of his nice books, Against Paradise, He writes, as quickly as he begins: “Before I came to the use of reason I was a specialist in bombs and in heaven on earth there were all brands, but I liked the Italian ones the most because they looked like the bottle of cologne that my mother used.”

In a home during which the daddy managed the silence and the mom was fascinated by her father’s capability to be good-looking and to be silent, this Tuesday it was a miracle that Vicent had been that fool who was narrating his life as if it have been a option to circumvent, even at present, the seriousness of the elders.

It is a serious work that David Trueba and Luis Alegre have supplied. A pleasure, actually, that had them working, with Vicent, 9 hours of their time to get 80 minutes during which, lastly, it appeared that the whole lot was high-quality. Of course, as a result of the creator who spoke gave together with his reminiscence probably the most important a part of a life that has no equal, which is that of Manuel Vicent Recatalá. From the second he was born till the second he went to dinner later with Alegre, David, Ana Belén, Félix Tussell and Arturo Valls, producers of the documentary. The associates with whom he celebrated his birthday dinner.

In the stalls and within the fiction on the display there remained the air of childhood, the tales about dad and mom, the shortage of affection that these occasions suffered, the unforgettable essence of masturbations, the disdain for faith, the style for pickled tuna, the enjoyment of being within the Mediterranean, his arrival at Café Gijón, the place he grew up, and from the place he escaped when the enjoyment grew to become unclean.

This man who laughs, and who’s stern, mentioned that now he permits himself music and tears within the afternoon, he receives the tribute that the younger individuals dedicate to him, and he shared that pleasure with them, with whoever was there. Until he knew that it was time to finish the celebration of those ninety years that now have their very own historical past, this pleasure.

It was placing that these 9 hours of recorded dialog by the creator of Tram to Malvarrosa He didn’t drink any of the water in entrance of him. That boy’s sobriety continues to be intact, as if his father was watching him.

https://elpais.com/cultura/2026-03-11/manuel-vicent-memoria-lucida-a-los-90-anos-ante-una-camara.html