This Saturday, the Malaga Festival put its ultimate contact on the awards ceremony, which was extensively distributed, with particular emphasis on Latin American cinema and fairly just a few surprises concerning the critics’ favorites. On the one hand, the Biznaga de Oro for Best Spanish Film has been, as beforehand acknowledged, for I can’t die of affectiondirector Marta Matute’s debut function, a piece that has additionally received the awards for Best Female Performance – Júlia Mascort – and Best Supporting Male Performance for the position of Tomás del Estal. On the opposite hand, the Silver Biznaga for Best Ibero-American Film has gone to The backyard we dream ofby Mexican Joaquín del Paso, who received the award for Best Director and whose movie acquired a 3rd award for Best Cinematography due to the work of Gökhan Tiryaki.
Furthermore, the Chilean Red Hangarby Juan Pablo Sallato, has accrued 4 awards, together with the Silver Biznaga for the EL PAÍS Audience Award, the identical movie that has received the Silver Biznaga Prize from the Critics’ Jury. And the Bolivian function movie The condor daughterdirected by Álvaro Olmos, has received two awards, similar to Iván & Hadoumby Ian de la Rosa. films like The good daughterby Júlia de Paz and Nuria Danjó, depart empty-handed. The jury was made up of Belén Funes, Daniela Michel, Loreto Mauleón, Rosa Montero, Gastón Pauls and Santiago Roncagliolo, along with Jaione Camborda, who served as president.
2026 has been a Malaga pageant marked by transportation issues attributable to the reducing of the high-speed prepare tracks, which have compelled the group to juggle to take all its friends – greater than 1,500 from 53 international locations – to the capital of Malaga, together with two constitution flights. A “logistical and production effort”, because the director of the competition, Juan Antonio Vigar, mentioned on the ceremony. The occasion has additionally been concerned within the controversy generated by the presence of influencers on the pink carpet. And, as soon as once more, it has been highlighted by the excessive variety of titles which have participated, which have made the competition unfathomable. This time, in actual fact, as much as 263 have been projected, greater than ever. “The films that have passed through the different screens of the festival have reminded us that cinema continues to be a privileged tool to look at the world, but also to question it and of course to move us,” mentioned Vigar, who famous that “diverse stories, new voices and consolidated perspectives” have coexisted within the programming.
social gaze
The winners take a look at the social. I can’t die of affection is the debut function of director Marta Matute, who wrote the script primarily based on a private expertise: when she was 18, her mom was identified with Alzheimer’s and that modified the whole lot at house. From that reminiscence, the director constructed a narrative that mirrored the emotional devastation that cognitive deterioration causes in individuals: and never solely in those that endure from it, but additionally within the individuals who accompany the affected person, whose world is radically reworked. The movie will hit theaters on May 8.
Meanwhile, within the Mexican The backyard we dream of —which premiered on the latest Berlinale—Joaquín del Paso makes a narrative centered on migration and the ecological disaster. Starring actor Carlos Esquivel, the function movie follows a Haitian household who arrives in Mexico seeking a greater future and finally ends up settling in a forested area marked by unlawful logging. The story locations the protagonists in an surroundings the place survival forces them to make troublesome choices, whereas nature—and particularly the symbolic presence of the monarch butterfly—turns into a key narrative ingredient.
Beyond the awards accrued by these movies, the remainder have been distributed as follows. The Silver Biznaga Special Jury Prize has gone to Iván & Hadouma piece directed by Ian de la Rosa, a movie that additionally received the biznaga for Best Screenplay. Actor Nicolás Zárate has received the silver biznaga for Best Male Performance for his work in Red Hangara function movie that has additionally acquired the EL PAÍS Audience Award and the Critics’ Jury Award. Also Best Editing due to the work of Valeria Hernández and Sebastián Brahm. Finally, María Magdalena Sanizo has received the Silver Biznaga for Best Female Supporting Performance for her position in The condor daughterwhich has additionally received the Silver Biznaga for Best Music.
Zonazine and documentaries
In the remainder of the sections, on the one hand in ZonaZine, The Meatby Joan Porcel, has received the biznaga for Best Spanish Film and Ocaby Karla Badillo, for Best Ibero-American Film, along with the Audience Award. On the opposite hand, The map to the touch youby Mercedes Alfonso, has been named Best Documentary whereas its protagonist, Airam, a 20-year-old extremely gifted autistic man, stays lacking.
In this official documentary part, María Molina has acquired the biznaga for Best Director for Como todo mortal. Besides, Dirty —by Bàrbara Mestanza and Marc Pujolar— has received the Biznaga de Plata Audience Award, in addition to a Special Mention from the jury. AND The voice of Godby Miguel Antunes, has acquired the Special Jury Prize. The two awards for documentary brief movies – greatest and public – have gone to The blue daysby Javier García. The subsequent version of the pageant, quantity 30, would be the earliest in its historical past: it will likely be held between February 26 and March 7, 2027.
Winners of the official part of the Malaga pageant
GOLD BIZNAGA FOR THE BEST SPANISH FILM: I can’t die of affectionby Marta Matute.
GOLD BIZNAGA FOR THE BEST IBERO-AMERICAN FILM: The backyard we dream of, by Joaquín del Paso.
SILVER BIZNAGAS:
SPECIAL JURY PRIZE: Iván & Hadoumby Ian de la Rosa.
BEST ADDRESS: Joaquín del Paso, by The backyard we dream of.
BEST FEMALE PERFORMANCE: Julia Maskort I can’t die of affection.
BEST MALE PERFORMANCE: Nicolás Zárate by Red Hangar.
BEST FEMALE SUPPORTING PERFORMANCE: María Magdalena Sanizo, by The condor daughter.
BEST MALE SUPPORTING PERFORMANCE: Tomás del Estal, for I can’t die of affection.
BEST SCRIPT: Ian de la Rosa by Iván & Hadoum.
BEST MUSIC: Cergio Prudencio and Marcel Guerrero for The condor daughter.
BEST PHOTOGRAPHY: Gökhan Tiryaki The backyard we dream of.
BEST MOUNT: Valeria Hernández and Sebastián Brahm for Red Hangar.
CRITICS JURY PRIZE: Red Hangar, by Juan Pabo Sallato.
PUBLIC AWARD – EL PAÍS: Red Hangar, by Juan Pabo Sallato, and Pioneersthey only needed to play, Marta Díaz de Lope
https://elpais.com/cultura/2026-03-14/yo-no-morire-de-amor-y-el-jardin-que-sonamos-consiguen-las-biznagas-de-oro-del-festival-de-malaga.html