The legendary Italian singer Gino Paoli, writer of ‘Sapore di sale’, dies at 91 | Culture | EUROtoday

The Italian singer Gino Paoli, probably the most well-known in Italian music for songs like Salt flavour o Endlessdied this Tuesday on the age of 91. “Tonight Gino left us with serenity and surrounded by the affection of his loved ones,” the household reported in an announcement despatched to the media.

Gino Paoli, who died in his native Genoa (north), was one of many nice authors of basic Italian music, with internationally well-known songs, succesful like few others of speaking about heartbreak and fragility. The singer-songwriter debuted in music in 1959 and all through his six a long time of profession, with ups and downs and severe issues, he popularized lots of the songs that set Italian tradition to music.

He began singing at 26 years outdated. For music, he deserted a job as an promoting designer and lots of hours devoted to portray and bohemian life in a tiny, “cold and uncomfortable” attic. On three events he left music and returned on many different events.

He recorded greater than fifty albums, however he has been acknowledged above all for his love songs. Five-time contestant on the Sanremo Festival, he’s accountable for hymns corresponding to The sky in a room (1960), with the voice of one other of the greats, Mina; The cat (1960) o Salt flavour (1963). In the political sphere, he was a deputy of the Italian Communist Party between 1987 and 1992, after presenting himself as an impartial on its lists.

“The perfect song is the one where the chemistry works,” stated Paoli. Salt flavour was born in 1963 in Sicily, on a seaside, earlier than a efficiency, in a second of complete happiness. So, the whole lot in Paoli’s life was provisional, he felt outdoors the world. A second and a relationship of such depth that it ended months later in a suicide try, capturing himself within the coronary heart. He nonetheless had a splinter from the bullet that missed its trajectory.

“I have a method for composing, but I always tend towards emotions, something too abstract to describe. Each word has a rhythm, when I write it is as if I were putting together a puzzle and to do so I need the right piece. I don’t compose thinking about how to satisfy the audience, I prefer to create emotional lines that stimulate them, without telling them what to do. Part of my success, I think, lies in not having completely squeezed out the intensity. I also don’t like to pose answers, but rather questions. It couldn’t be any other way, my “The only certainty is doubt,” he said about his work in an interview in EL PAÍS.

Paoli dies simply 4 months after his former companion, Ornella Vanoni, one of many nice women of Italian music.