The podcast that profiles a sexual assault sufferer who discovered no assist in the system | Television | EUROtoday

At the start of the story, there’s a message from Ángela to Cristina Fallarás’ Instagram: she hopes somebody listens to what she has been via. That Fallarás social community account is a continuing story of sexist violence in Spain: there aren’t any names of both the aggressors or the victims, simply the painful trickle of circumstances, of dozens of messages that the journalist selects, edits and posts every single day. Some even serve to make different ladies uncover occasions much like these they skilled, and even to acknowledge their very own abusers in these publicized sufferings.

At the start of the Podium-Cadena SER podcast I do not know what it was like earlier than, by Manu Tomillo (Madrid, 38 years previous) and Sara Selva (Málaga, 31 years previous), the intention was to doc why “so many women decide to report their cases on social networks and not at the police station.” Thus, in December 2024, each started to doc themselves, to concentrate on “why they do it there, when sometimes they have not confessed it even to those around them”, and in one of many contacts that Fallarás gave them, Elena seems, the fictional title of a sufferer, “who asks to be accompanied by her ex-husband’s ex-partner.” That is Angela, actual title, an excellent audiovisual employee, one other sufferer of the identical aggressor and a girl who in her life journey brings collectively the brutal disappointments that make her the protagonist of the podcast. “After the first three-hour meeting,” Selva and Tomillo level out, “it became clear to us that we had to abandon the choir and focus on it.”

In Ángela, the judicial malpractice, the bodily and psychological abuse of her ex-partner had been summed up; the collapse of a promising profession and its dissolution into the horrible typecasting of “you are nobody without me”, the horror with which the podcast is titled; the ache of the unhealthy expertise of the report on the police station… Even, when she was nonetheless married, the sensation that her boyfriend’s ex-wife was her enemy.

Ángela and Elena, one other excellent artist of their subject, even have “a great ability to tell their story,” in order that their voices are clear and direct. “It’s a very long story, with many things to tell,” says Tomillo, who nonetheless works at Podium. The podcast enters into the judicial and emotional complexities with out holds again. “And then there is Ángela’s order,” Selva remembers. “One day when we arrived for one of the interviews, she already had all her material organized on her table in the living room. There were several bundles of documents and she told us: ‘Wait, I don’t remember, I’ll check it out.’ She is incredible in many ways, and one of them is her ability to organize her trauma.” Both clarify that for Ángela it’s a solution to “get out of bed; she insists that if she pours all her energy into the judicial process and her recovery, she will be able to move forward each day.”

I do not know what it was like earlier than delves into its six episodes (one zero as a prologue, the 4 of the story and the making of) how “for a decade, Angela lived trapped in a relationship marked by fear.” The creators do not forget that when she lastly took the step ahead “she found a system that neither listened to her nor protected her.” And with it, as well as, “a new wave is illustrated, that of alliances that are woven between women.” Because via Ángela we attain Elena, the mom of the abuser’s daughter. Ángela acted as a second mom to that woman, who would be the one who not directly builds the bridge. “When they both meet, they discover that they have gone through and are going through the same process of sexual assault, of very similar events, like being kicked out of the house, being ghosting“, that he bodily seems and disappears for days, that there are bodily, sexual and psychological assaults… And Ángela additionally discovers, by probability, a tough drive with materials that opens her eyes, which confirms that there are extra victims.”

During the months they were preparing the podcast, its creators were gaining time. They asked to delay the delivery so they could accompany Ángela in the judicial process, while Elena was fighting for custody of her daughter. In turn, they managed to record those entries in court, they sat with Ángela’s sister, which helped them portray the vision of the families of those who suffer sexist violence. “Friends and household see how she goes down a path that might finish badly… and it’s tough to get her out of there. There can also be the ache of that surroundings itself, not solely due to that helplessness of not figuring out very properly methods to stop her from falling utterly, but in addition methods to face the following restoration.” And the aggressor? He only appears as an abuser, without giving more information. “They are the protagonists,” the journalists respond.

I don’t know what it was like before It is as informative as it is narrative. “What was a three-month project took us until last February, when we launched it on the platform,” explains Selva, who after seven years of doing political reporting on the SER network currently works on Radio Ambulante, a Latin American stories podcast. “And it also helped us build the story chronologically, so that the listener accompanies Ángela on this journey,” which ends, at least for now, in a happy watermelon gazpacho shared with Elena, Selva and Tomillo. “That whoever listens to the podcast feels that they’re not victims, however mates. They are regular ladies who snicker, and who take a look at the previous collectively. Let the remainder of us perceive that there’s hope due to the neighborhood generated between the 2.”

Since its premiere, the podcast has already exceeded 65,000 views. At the end of the process, its creators hope “that both have felt heard, and that they know that there are people on the other side who will also listen to them.” Because “the listeners touch upon them, and write to them that thanks very a lot for having been so courageous, and for having informed it in a dedication to society that, truthfully, is brutal.”